Author(s): Martins, Gina, 1984-
Date: 2011
Persistent ID: http://hdl.handle.net/10451/3146
Origin: Repositório da Universidade de Lisboa
Subject(s): Kapoor, Anish, 1954-; Lopes, Gil Teixeira, 1936-; Rauschenberg, Robert, 1925-2008; Benjamin, Walter, 1892-1940; Picasso, Pablo, 1881-1973; Chapman, Dinos; Chapman, Jake; Gravura; Pintura; Reprodutibilidade; Romantismo; Convergência
Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2011
Contém: 1 DVD com uma entrevista a Gil Teixeira Lopes, apenas consultável na Biblioteca da FBAUL - Cota CDA 80
This dissertation means to implicate the defense of the chemistry between Painting and Engraving. Also presenting, are some aspects of the two artistic expressions coming together, by focusing the differences and familiarities that result in the final interpretation. It also relates to the common paradox in which an engraving is not considered an art piece, and to the interdisciplinary aspect of creating art. To support the dissertation and all aspects involving the overlap between Painting and Engraving, I present my personal work, to give way for a pondering of what really is the coming together of the two artistic expressions- Painting and Engraving
