Author(s): Mouro, Luis Manuel dos Santos
Date: 2011
Persistent ID: http://hdl.handle.net/10451/4298
Origin: Repositório da Universidade de Lisboa
Subject(s): Desenho; Cenografia; Teatro
Author(s): Mouro, Luis Manuel dos Santos
Date: 2011
Persistent ID: http://hdl.handle.net/10451/4298
Origin: Repositório da Universidade de Lisboa
Subject(s): Desenho; Cenografia; Teatro
Tese de mestrado, Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2011
In the territory of association between the visible and the pronounced, phenomena of its own genesis, drawing penetrates theatre as a mapping, ordering and boundering trace of the happening, and as a catalyst element for convergence and coursing looks. With the techniques and the procedures of its own, drawing, structures, systematizes and formalizes operational processes of a visual performance concretion and expression. Mechanical starters from desire - theatre and drawing - gestures pursuing the outline of their own shadows