Author(s): Rebordão, Ana Filipa Lino, 1986-
Date: 2011
Persistent ID: http://hdl.handle.net/10451/4975
Origin: Repositório da Universidade de Lisboa
Subject(s): Maternidade; Essencialismo; Criação artificial; Iconografia Mariana
Author(s): Rebordão, Ana Filipa Lino, 1986-
Date: 2011
Persistent ID: http://hdl.handle.net/10451/4975
Origin: Repositório da Universidade de Lisboa
Subject(s): Maternidade; Essencialismo; Criação artificial; Iconografia Mariana
Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2012
O DVD em anexo, com a cota CDA 93 apenas poderá ser consultado na Biblioteca da FBAUL
The dissertation is based on examples of contemporary artists whose work is based on and around Marian iconography and their attempts to perpetuate and understand the mother-child relationship. The intention is to explore and explain art based on the mother figure (the symbol of love) and then reuse the sanctified image of the Mother; specifically the Virgin Mary which they believe is able to more easily reach a public set within a modern visual culture. Its reinterpretation allows entry into a universe which joins a visual domain with a creative one that in turn justifies a third: the spiritual. The underlying objective in the artistic process is to achieve a contemporary essence and spirituality in art and to understand the artistic ideas and processes of the artists investigated