Author(s):
Pinto, Nuno Miguel Vieira da Fonseca, 1988-
Date: 2013
Persistent ID: http://hdl.handle.net/10451/8358
Origin: Repositório da Universidade de Lisboa
Subject(s): Augé, Marc, 1935-; Beeck, Hans Op de, 1969-; Bolin, Liu, 1973-; Dias, Antonio, 1944-; Estrela, Alexandre, 1971-; Fischli, Peter, 1952-; Gursky, Andreas, 1955-; Jezik, Enrique, 1961-; Orozco, Gabriel, 1962-; Paci, Adrian, 1969-; Plowden, David, 1932-; Sendas, Noé, 1972-; Sierra, Santiago, 1966-; Spilberg, Steven, 1946-; Struth, Thomas, 1954-; Vieira, Ana, 1940-; Solà Morales, Ignasi; Arte contemporânea; Lugares; Espaço público; Sem-abrigo
Description
Tese de mestrado, Arte Multimédia - Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2013
This essay addresses the relationship between a public place and its occupation by homeless converting it into a personal place. Drawing on Martin Heidegger, Marc Augé, Ignasi de Sola-Morales, Italo Calvino and Maria Manuela Dias Fernandes a conceptual universe was built tha was complemented and deepened by reflecting on some of the works of the artists Enrique jezik, Hans Op de Beeck, Peter Fischli and David Weiss, Andreas Gursky, David Plowden, Thomas Struth, Ana Vieira, Noé Sendas, Antonio Dias, Adrian Paci, Alexander Star, Grabriel Orozco, Liu Bolin, Santiago Sierra, Steven Spielberg. It’s explored how the public place retains the memory of those who use it daily through the concepts of anthropological place, non-place and 'terrain-vague'. Then the construction of the dwelling place as well as their relationship with the concept of shelter is explored, which serves as an introduction to the study of the paradigm of homeless. This reflection resulted in two unique pieces of character art that explore the studied problematic through the reconstruction of local ambiguities and fleeting hints of occupations
