Long piece

• Author(s): Baeta, Luisa 1972-
• Date: 2013
• Persistent ID: http://hdl.handle.net/10451/8459
• Origin: Repositório da Universidade de Lisboa
• Subject(s): Tempo; Imagem; Fotografia; Vídeo; Memória
• Document Type: Master thesis
• Language: Portuguese
• Advisor(s): Gamito, Maria João, 1956-
• Contributor(s): Repositório da Universidade de Lisboa

Description

Tese de mestrado, Arte Multimédia - Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013

Possui um DVD com anexos, apenas consultável na Biblioteca da FBAUL : cota, CDA 127

LONG PIECE - the time of an image is a theoretical and pratical masters dissertation on Multimedia Art, that analyses what is long in the time of an image. It approaches the relations between the concepts of time and image, as elements, within the shot, the movement and the observation, in the context of photography, film and video Different meanings of time are enunciated, in order to allow a broad interpretation of this long time identified in the image: the exposure time, the structural time, the physical time, the real time, the represented time, the duration time, the cinematic time, the time-image, the contextual time and relational time. Pieces by artists such as Tacita Dean, Michael Snow, Hiroshi Sugimoto and Andrei Tarkovsky are brought into the analysis as different possible approaches on the use of the concept of time, within the media set as the context of this research. The concepts of return, suspension and restart, three figures of oblivion defined by Marc Augé, forms of expression of possible relationships between time and image, are also incorporated as the basis of the creation of Long Piece, the practical part of this dissertation, composed of a series of four videos that explore the long time of an image, different relationships between video and photography and between long time and memory: the return to a place, a landscape, the suspension of a long shot and the restart of a relation with this place and with the image itself