Author(s): Amoni, Priscila, 1985-
Date: 2013
Persistent ID: http://hdl.handle.net/10451/8716
Origin: Repositório da Universidade de Lisboa
Subject(s): Cinema; Lugares; Ruína; Retrato
Author(s): Amoni, Priscila, 1985-
Date: 2013
Persistent ID: http://hdl.handle.net/10451/8716
Origin: Repositório da Universidade de Lisboa
Subject(s): Cinema; Lugares; Ruína; Retrato
Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2013
O DVD que acompanha a tese apenas poderá ser consultado na Biblioteca da FBAUL
This text responds to a research on the artistic production of Priscila Amoni for the Masters in Painting, making the film "Madame Olga": the living and occupation of an abandoned house in Lisbon and the excavation of layers os inscriptions in that space. At first, it presents the script of the film and talks over its making and the imagistic results achieved. The second part of the thesis is the "Reflections", theoretical considerations regarding the major themes that underpin the work of the artist. They are: "Place and Ruin", reflecting on the specificity of the place, forms and space occupancy, ruin while resistance; "Portrait and Absence", the challenges involving portray, through the film, a character absent, a house and a present body; "Someone comes", thoughts about the new who arrives, the actor's encounter with the camera, the actor with the character, the characters together and with themselves