Author(s):
Rocha, Sara Maria do Valle, 1987-
Date: 2013
Persistent ID: http://hdl.handle.net/10451/9465
Origin: Repositório da Universidade de Lisboa
Subject(s): Brakhage, Stan, 1933-2003; Kren, Kurt; Rist, Pipilotti, 1962-; Matéria; Imagem; Linguagens; Cinematografia; Arte e medicina; Fluxos
Description
Tese de mestrado, Arte e multimédia - Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2013
The theoretical-practical dissertation entitled ‘A Materialidade da Imagem: Anatomias Inventadas’, has tautology of media as fundamental reflective activity. It has deep connections between Body, Medicine, Science and Art. Since Renaissance, Investigation is guided by the parameters of exploration, experimentation and proposed problem resolution. The constituent phases of systematic methodology show the complementarity versus conflict between Art and Science. The body-body – human, real, in praesentia –, and the body-image or the graphical representation of the body are compared in artistic practice to a canal or synthesized body, in which runs a constant stream of material. This refers primarily to a combination of liquids and organic products that flow through the body and secondly to media that carry images and use time and wear as essential conditions for apperception. Study of image is combined with the study of language origin. The language units of verbal/textual discourse feature a close link with the units of cinematography language, engaged with time and duréé (Bergson). The visual product of this project results from selection and recycling processes of analog support medium images designed to forgetfulness, that by a clinical look, thoroughly filtered time, rhythm and shape