Autor(es): Neilson, Alison Laurie ; Inocêncio, Andrea ; São Marcos, Rita ; Lacerda, Rodrigo ; Simões, Maria ; Andrade, Simone Longo de ; Cantú, Rigel Lazo ; Naoufal, Nayla ; Maksimovic, Maja ; Augusto, Margarida
Data: 2017
Identificador Persistente: https://hdl.handle.net/10316/48149
Origem: Estudo Geral - Universidade de Coimbra
This experiential visual open work is built from a myriad of words, languages, cultures, and critical theories. . . . books and bombs, dance and record labels, mothers and daughters, small villages and islands, diaries and story, colonization and immigration, violence and healing, leaving and returning . . . wild animals It is a collaborative attempt to use untranslated images and untranslated embodied praxis trusting in one another to look out for the enhanced dangers of running to meet gruelling deadlines and unrelenting competition for survival in the academy while at the same time stubbornly resisting, via a blindfold, the reigning forms of knowing and communication.
