Autor(es): Macedo, Rita
Data: 2024
Identificador Persistente: http://hdl.handle.net/10362/180535
Origem: Repositório Institucional da UNL
Assunto(s): Conservators; Contemporary art conservation; Invisibility; Museums; Professional identity; Arts and Humanities (miscellaneous); Archaeology; Archaeology; Law
Publisher Copyright: © The Author(s) 2024.
This chapter addresses the professional identity of the contemporary art museum conservator. It departs from a general review of the literature about the professional role of the conservator to focus on how practitioners see themselves in their profession when it comes to their values, beliefs, the functions performed and perceived relationships with colleagues. I also discuss how conservators think they are seen by others (colleagues or the anonymous public). Aware of the complexity of relationships that shape the contemporary art museum, this chapter focuses specifically on the identity of conservation professionals and their reported invisibility to colleagues and the public. I argue that while some of the factors that negatively influence a conservator’s self-perception come from beliefs and stereotypes formed along with the construction of professional identity, others are consolidated and perpetuated in the context of the museum, where these identities do not seem to have room for transformation or renegotiation, through professional agency.
