Author(s): Reis, Maria Daniela Pinto Alves da Silva, 1980-
Date: 2016
Persistent ID: http://hdl.handle.net/10451/23596
Origin: Repositório da Universidade de Lisboa
Subject(s): Pasolini, Pier Paolo, 1922-1975; Artaud, Antonin, 1896-1948; Pintura; Cinematografia; Corpo; Erotismo; Melancolia; Pintura
Pasolini reveals a certain secret visibility, taking our eye to the constant restlessness and doubt, to a “ taken at the distance” which Merleau-Ponty refers. All upon a love gesture, from a body that poses another into action, closer to how the creators gesture allows to show that nature is inside ad that the painting revels as a testimony of an endless question, taken from piece to piece. The lovers encounter between the characters is identical to the encounter between the paintor and the canvas. As if it has been stood all along a question to which it cannot answer, - or as if each piece was a precarious answer
