Author(s): Silva, Rita Maria Barracha da, 1987-
Date: 2012
Persistent ID: http://hdl.handle.net/10451/5631
Origin: Repositório da Universidade de Lisboa
Subject(s): Brunelleschi, Filippo, 1377-1446; Kapoor, Anish, 1954-; Eliasson, Olafur, 1967-; Nauman, Bruce, 1941-; Hill, Gary, 1951-; Percepção visual; Realidade virtual; Instalações; Linguagens; Audiovisuais
Tese de mestrado, Arte e multimédia (Audiovisuais), Universidade de Lisboa, Faculdade de Belas Artes, 2012
O titulo apresenta-se escrito de forma inversa como se de negativo se tratasse
The human binocular vision results from a stereoscopic phenomenon. This allows one to acquire a three-dimensional image of the perceptual space based on the laws of perspective. The confidence with which one accepts and interacts with this alleged truth is the same that allows one to admit the virtual, a world of illusion. Taking an Art and Multimedia’s theoretical and practical dissertation as a connection between two worlds – the textual and the visual –, one can verify that it’s established accordingly to a cyclic and self-referential system. This articulates the dichotomies: theory/practice and textual/visual. The virtual demonstration of its complementarity generates a hybrid language inherent to it, which shapes a dissertation that presents itself as a symbol of its theoretical and practical condition
