Document details

Southern Modernisms. Critical Stances through Regional Appropriations. Conference proceedings

Author(s): Leal, Joana Cunha ; Maia, Maria Helena ; Farré Torras, Begoña

Date: 2015

Persistent ID:

Origin: Repositório Institucional da UNL

Project/scholarship: info:eu-repo/grantAgreement/FCT/3599-PPCDT/133213/PT ;

Subject(s): Southern modernisms; Modernismos do Sul; Artes Visuais; Arquitectura; Historiografia da arte; Século 20


The hegemonic definition of Modernism has been subjected to an intense critical revision process that began several decades ago. This process has contributed to the significant broadening of the modernist canon by challenging its primal essentialist assumptions and formalist interpretations in the fields of both the visual arts and architecture. This conference aims to further expand this revision, as it seeks to discuss the notion of “Southern Modernisms” by considering the hypothesis that regional appropriations, both in Southern Europe and the Southern hemisphere, entailed important critical stances that have remained unseen or poorly explored by art and architectural historians. In association with the Southern Modernisms research project (FCT – EXPL/CPC-HAT/0191/2013), we want to consider the entrenchment of southern modernisms in popular culture (folk art and vernacular architecture) as anticipating some of the premises of what would later become known as critical regionalism. It is therefore our purpose to explore a research path that runs parallel to key claims on modernism’s intertwinement with bourgeois society and mass culture, by questioning the idea that an aesthetically significant regionalism – one that resists to the colonization of international styles and is supported by critical awareness – occurred only in the field of architecture, and can only be represented as a postmodernist turn. (...)

Document Type Conference object
Language English
Contributor(s) Leal, Joana Cunha; Maia, Maria Helena; Farré Torras, Begoña
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