Visão e imagem

• Autor(es): Morais, Rute Selésio, 1989-
• Data: 2013
• Identificador Persistente: http://hdl.handle.net/10451/8405
• Origem: Repositório da Universidade de Lisboa
• Assunto(s): Imagem; Visão; Percepção; Sinestesia; Imersão
• Tipo de Documento: Dissertação de mestrado
• Idioma: Português
• Orientador(es): Gamito, Maria João, 1956-
• Contribuidor(es): Repositório da Universidade de Lisboa

Descrição

Tese de mestrado, Design de Comunicação e Novos Media, Universidade de Lisboa, Faculdade de Belas Artes, 2013

The image has always been part of our daily lives and if, on one hand, it serves as a mediator between us and the world, on the other hand, it also acts a mediator between us and other worlds. Nowadays, the image seems to extend our world and that’s what this research seeks to understand how the image evolved and, consequently, allowed the immersion of the viewer. This research aims to study and establish relationships between vision and image. It states that the level of immersion of the viewer increases depending on the type of eye contact he has with the image. This visual contact, in general, is not only provided by the eye but, more than that, the union of all the perceptual sense. Therefore, this research essentially states that the different types of vision that the viewer plays (optical, haptic or synesthetic vision), together with the different types of image/media, that somehow have been remediated over the centuries, influence in a decisive manner their immersion in the image. In this context and in order to confirm this idea, the goal was to go beyond the study of many basic concepts, among them remediation; imediacy; hipermediacy; optical, haptic and synesthetic vision; frame/ parergon; existenzmaximum; immersion; and ubiquity, the analysis of several optical and immersive devices in order to focus on their specific properties and track their major developments (as in, remediations) over time. In this perspective, it is emphasized that these various devices must be understood as the result of a constant search for remediation of other, quite older, already kept in it the desire of the viewer to enter the image