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Science Applied to Modern Mural Painting Studies. Traditional Pigments and Inno...

Gil, Milene; Costa, Mafalda; Valadas, Sara; Cardoso, Ana Margarida; Helvaci, Yigit Zafer; Bhattacharya, Sriradha; Candeias, António

This chapter reports the analytical study carried out on Almada Negreiros’ two working palettes in the public hall of the DN Building in 1939. Both palettes were hidden behind wooden cabinets and discovered in 1991 during conservation works. The first study carried out in 2021 focused on the identification of cadmium pigments. In phase 2, the goal was to extend the research to other colour materials to ascertai...


Microorganisms and Moonmilk in the non-ornated caves from the Vézère Valley (Do...

Bhattacharya, Sriradha; Caldeira, A. Teresa; Chapoulie, Rémy; Ferrier, Catherine; Mirao, José; Lacanette, Delphine; Bassel, Léna; Salvador, Cátia

Microorganisms inhabit all possible environments including hypogean environments. Cave are the best examples of a glimpse into the subsurface world and into human past through its art work. Microbes are often harmful for cultural assets (eg, paleolithic paintings), because they are related to constructive (mineral precipitation) and destructive (substrate dissolution) processes affecting different substrates (h...


On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–...

Gil, Milene; Costa, Mafalda; Cardoso, Ana; Valadas, Sara; Helvaci, Yigit; Bhattacharya, Sriradha; Moita, Patricia; Candeias, António

This paper reports the first analytical approach carried out on two working palettes by Portuguese modernist master Almada Negreiros, found in 1991 behind old wood cabinets at the DN building in Lisbon. This is the only known occasion Almada left behind the color experiments done before starting to paint in the nearby walls and as such, it is a unique opportunity to analyze the materials and painting techniques...


Investigation of marble limestone biocolonization: the case study of Convento d...

Bhattacharya, Sriradha

Over centuries, different lithotypes – either calcitic such as limestones and marbles, and/or silicious such as sandstones and granites have been used in historical monuments, whose deterioration/degradation differs as per the hardness, porosity and chemical composition of each stone. However, over the last decades living microorganisms have been associated with structural and aesthetical damages to building st...


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