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Património Cultural Imaterial: 20 anos da Convenção para a Salvaguarda do PCI

Gonçalves, Maria Filomena; Carvalho, Ana; Dores, Marcus; Albino Pires, Natália; Bombico, Sónia; Cabeça, Sónia

With the year 2023 marking 20 years since its approval, UNESCO's Convention for the Safeguarding of the Intangible Cultural Heritage (2003) is the fundamental guideline for those working in this field, and twenty years on from the approval, it is important to reflect on its importance. To this day, the Convention represents a fundamental milestone not only in terms of recognising the value of humanity's cultura...


Idea Laboratories: Providing Tools for Creative Tourism Agents

Cabeça, Sónia; Gonçalves, Alexandra; Marques, João Filipe; Tavares, Mirian

In Portugal, the project CREATOUR - Creative Tourism Destination Development in Small Cities and Rural Areas - has been working with a range of cultural/creative organizations (pilots) that are implementing new creative tourism experiences in the Portuguese territory. To improve their offers, CREATOUR carried out, between April 2017 and May 2019, a series of Idea Laboratories as a means to support content devel...


Domestic and international creative tourists in Portugal: Insights for practiti...

Serra, Jaime; Marujo, Noémi; Duxbury, Nancy; Cabeça, Sónia; Gonçalves, Alexandra; Remoaldo, Paula; Alves, Juliana

Within the project CREATOUR (Creative Tourism Destination Development in Small Cities and Rural Areas), we developed a detailed questionnaire for participants in the creative tourism pilot activities organized within the project, which was applied by the 40 participating organizations as they conducted their pilot activities in 2017, 2018, and 2019.; The chapter is an outcome of research conducted within the CR...


Profiling the participants in creative tourism activities: Case studies from sm...

Remoaldo, Paula; Serra, Jaime; Marujo, Noémi; Alves, Juliana; Gonçalves, Alexandra; Cabeça, Sónia; Duxbury, Nancy

Although cultural tourists increasingly seek to experience cultural events actively and to directly engage in creative activities, empirical knowledge about the creative tourist remains limited. This study aims to characterize the motivations and profile of creative tourists. The data was collected through a survey of participants in creative tourism activities in Portugal developed by 40 pilot institutions of ...


Profiling the participants in creative tourism activities: Case studies from sm...

Remoaldo, Paula; Serra, Jaime; Marujo, Noemi; Alves, Juliana; Gonçalves, Alexandra; Cabeça, Sónia; Duxbury, Nancy

Although cultural tourists increasingly seek to experience cultural events actively and to directly engage in creative activities, empirical knowledge about the creative tourist remains limited. This study aims to characterize the motivations and profile of creative tourists. The data was collected through a survey of participants in creative tourism activities in Portugal developed by 40 pilot institutions of ...


A mulher no Cante alentejano

Cabeça, Sónia; Santos, José

Os primeiros grupos corais alentejanos datam da década de 20 do século passado mas foi necessário esperar mais de 50 anos (precisamente até 1979) para descobrir o primeiro grupo coral feminino. Só nos finais do século XX os grupos corais femininos se impuseram no panorama das práticas musicais populares alentejanas. Observemos como foram (e são) recebidos, que mudanças vieram trazer e a emergência de novos grup...


Conservação, salvaguarda, criação e culturas orais: uma aproximação conceptual

Santos, José; Cabeça, Sónia

Conservation, preservation, creation in oral cultures: a conceptual approach While in the old regime of change the old had to be naturally replaced by the new and was indeed, at a slow path and without the innovation inducing any destructuration of the overall (material, technical, symbolic) pattern, the new appears in contemporary times, due to the very speed at which change occurs, as being submitted to a rap...


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