25 documents found, page 1 of 3
An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attribut...
Antunes, Vanessa; Serrão, Vítor; Candeias, António; Mirão, José; Valadas, Sara; Carvalho, Maria LuísaGoa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the inf luence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative pro...
Physicochemical properties of iodine and selenium biofortified Sparus aurata an...
Barbosa, Vera; Camacho, Carolina; Oliveira, Helena; Anacleto, Patrícia; Maulvault, Ana Luisa; Delgado, Inês; Ventura, Marta; Dias, Jorge; Ribeiro, LauraFish biofortification with natural ingredients like iodine-rich macroalgae and selenized-yeast is an excellent strategy to enhance the nutritional quality of farmed fish. This study aimed to assess the effect of frozen storage during 12-months on physicochemical quality of biofortified seabream (Sparus aurata) and carp (Cyprinus carpio). Frozen storage reduced iodine content in biofortified seabream fillets (17...
Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to mat...
Antunes, Vanessa; Valadas, Sara; Serrão, Vítor; Carvalho, Maria Luísa; Candeias, António; Mirão, José; Cardoso, Ana; Pessanha, Sofia; Manso, MartaIn this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her father Baltazar Gomes Figueira (1604–1674). These painters were the most important pair working in the 17th century in Portugal with a Proto-Baroque style and the materials and techniques used by their workshop are almost unknown. Analytical procedures employed to characterize the materials and painting techniqu...
A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of th...
Antunes, Vanessa; Serrão, Vítor; Valadas, Sara; Candeias, António; Mirão, José; cardoso, Ana; Manso, Marta; Carvalho, Maria LuísaThe painting collection of Santa Casa da Misericórdia da Lourinhã is amongst Portugal’s most notable and scarcely best-known cultural heritage. The artistic interest of this pictorial group, besides the advanced state of degradation of a number of the paintings, together with the ruined circumstances of the building accommodating the collection, today in reconstruction, were the key reasons for this study. Ther...
Enriched feeds with iodine and selenium from natural and sustainable sources to...
Barbosa, Vera; Maulvault, Ana Luísa; Anacleto, Patrícia; Santosa, Marta; Mai, Mónica; Oliveira, Helena; Delgadoe, Inês; Coelho, Inês; Barata, MarisaDeveloping tailor-made fortified farmed fish is a promising solution to overcome nutritional deficiencies and increase consumer confidence in these products. This study evaluated the supplementation of three fortified diets with I-rich seaweed and selenised-yeast on essential and toxic elements levels in gilthead seabream (Sparus aurata) and common carp (Cyprinus carpio). Fortified diets resulted in increased I...
An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attribut...
Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Valadas, Sara; Carvalho, Maria LuísaGoa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative proc...
On the origin of Goa Cathedral former altarpiece: Material and technical assess...
Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Vitor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, AnaGoa Cathedral former altarpiece is one of the oldest set of paintings in India. The seven remaining paintings from the first altarpiece of Goa Cathedral, nowadays in the sacristy, are attributed by some art historians to Master Garcia Fernandes (act. 1514–1565), Portuguese painter from Lisbon workshop. The 16th century was the “Golden age” of Portuguese painting. In this context the Royal Lisbon workshop played...
Scrutinizing Ecce Homo: European or Indian painting? Assessment by Raman and co...
Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Cardoso, Ana; Carvalho, Maria Luísa; Fernandes, Natasha; Manso, MartaThis work intends to characterize producing techniques and materials used in Ecce Homo painting (P1) from the beginning of the 17th century, made at the time of Iberian Union government in Goa, which belongs to Museum of Christian Art at Old Goa (India). Determination of the manufacturing processes, material characterization of ground/priming layer, and pigment layers were the scopes of this study. Knowledge of...
On the origin of Goa Cathedral former altarpiece: Material and technical assess...
Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Victor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, AnaGoa Cathedral former altarpiece is one of the oldest set of paintings in India. The seven remaining paintings from the first altarpiece of Goa Cathedral, nowadays in the sacristy, are attributed by some art historians to Master Garcia Fernandes (act. 1514–1565), Portuguese painter from Lisbon workshop. The 16th century was the “Golden age” of Portuguese painting. In this context the Royal Lisbon workshop played...
Descobrindo o Manto: decifrando a paleta e a técnica do pintor Gregório Lopes c...
Antunes, Vanessa; Manso, Marta; Candeias, António; Oliveira, M.J.; Barrocas Dias, Cristina; Manhita, Ana; Francisco, M.J.; Costa, S.; Lauw, A.Misericórdia de Sesimbra, cerca de 1535-1538, e actualmente no Núcleo Museológico da Capela do Espírito Santo de Sesimbra, é uma das obras mais importantes do artista, e a sua única pintura sobre esta temática, sendo, como tal, uma das pinturas mais significativas do século XVI em Portugal. A sua recente intervenção de conservação e restauro proporcionou a possibilidade de estudar materialmente a pintura pela p...