107 documents found, page 1 of 11

Antes do Muro: a Pintura Assunção de Nossa Senhora – Dordio Gomes na Igreja de ...

Dordio Gomes’ mural painting Assumption of Our Lady in the Church of Our Lady of Perpetual Help was completed in 1953, showcasing reflections on the dogma and its proclamation. This article explores the commissioning of the mural, high‑ lighting its significance in developing mural painting in Porto in the mid‑20th century. The complex iconographic choices, technical aspects of the fresco, and the artist’s meti...

António Carneiro's painting collection from the municipality of Oporto. Study a...

This paper presents a summary of the results obtained in the first approach ever made to the characterization of the materials and techniques used in the oil painting production by António Carneiro (1872–1930), one of the best portuguese painters in the transition from the 19th to the 20th centuries. A selection of ten oils on canvas belonging to the Municipality of Oporto were analysed using a set of non-invas...

Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negati...

The paper explores photography retouching, particularly its use in dry plate stereoscopic negatives. The materials and techniques used and their relationship with the retouching practice in non-stereoscopic photography are discussed. This research focuses on the Portuguese photographer Aurélio da Paz dos Reis's collection of negatives, and how he used retouching for the composition of his stereoscopic portraits...

Robert R. Janes e Richard Sandell, eds. – Museum Activism

Publicado na prestigiada série Museum Meanings, sucessivamente dirigida por alguns dos autores e dos pensadores mais destacados no campo da museologia internacional que, desde os finais da década de 90 do século passado e, particularmente, desde o início do século XXI, tem apresentado perspetivas críticas, fraturantes e inclusivas acerca de temas de museologia contemporânea, Museum Activism é um volume coordena...

Revista Miolo

Brochura com 122 páginas, colada e grampeada. Impressão 4x4 cores (preto+3 cores especiais) em reprografia, serigrafia, tipografia e risografia. Dimensões: 19x23 cm (fechado) / 38x23 cm (aberto). lombade de 1,2cm. Capa em preto e branco, com furos redondos, concentricos que se extendem ao longo do ensaio fotográfico das rimeiras páginas.; Submitted by Taygoara Sousa (tsousa@ufba.br) on 2021-06-23T09:32:25Z No. ...

Portuguese museums in pandemic times: change and adaptation through heritage-ba...

Commissioned by the Portuguese Government, the November 2020 field report, Museus no Futuro (“Museums in the Future”), mentions the programming of co-curated artist-in-residence programmes as one of the recommendations for engaging local publics, particularly younger visitors. This recommendation seems of special relevance in the aftermath of extensive lockdowns due to the COVD-19 pandemic, and in the face of a...

Mário Cláudio: invocação, nitidez e magnitude de uma gramática infinita

A Coleção do Escritor Mário Cláudio

Gunnar S. Gundersen Norwegian Post-War Modernist KOKKIN, Jan. Stuttgart: Arnold...

Robert R. Janes e Richard Sandell, eds.: Museum Activism

Júlio Resende: a self-curating artist

This article focus on the curatorial work involved in the construction of places of memorylike a photobiography or an artistic foundation. Despite being iniciatives of differentnature and scope, both examples aim to keep alive the memory of those who built them.The article explores the production of the photobiography that occupied Júlio Resendefor several years and that would be edited posthumously, and addres...