Analysing three tracks from Uboa’s noise music album The Sky May Be (2018), namely Salivate on Cue, The Sky May Be (Extus) and Thigh High Cat Tights, it is argued that Uboa’s transfeminine noise music thematizes the abject, material, posthuman potential of raw data and noise (in its musical and cybernetic sense), allowing a critique of information as an immaterial entity. First, a connection between noise and a...
The Editorial Team of estrema: interdisciplinary journal of humanities is pleased to present the second issue of its third volume: “Echoes of Life and Death: Interdisciplinary and Intermedia Perspectives.” The theme seeks to unravel the relationship between existence and mortality, and all the realities that fit into this not exclusively dichotomous dynamic, examining how these forces shape our understanding of...