In this article, we analyse faunal samples from the Late Neolithic (Layer 4) and Early Chalcolithic (Layer 3) levels of the fortified settlement of Leceia (Oeiras, Portugal) in order to understand the management of the feeding of domestic animals recovered in these excavations. Through the analyses of stable isotopes of δ13C and δ15N in bone collagen, we aim to characterise the grazing systems and the maintenan...
In this work, a study on a set of paintings from the most significant altarpiece assigned to Master Jorge Afonso (c. 1470–1540) painting workshop is presented. This altarpiece is composed by fourteen paintings made to the church of Convento de Jesus, in Setúbal, Portugal, and was made circa 1517–19/1530, according to art-history. This set of paintings is compared to one of the other most important Portuguese al...
How to preserve a set of paintings made with European materials and taken to South Asia in the 16th century? A set of seven paintings belonging to the first altarpiece of Goa Cathedral now remain in its sacristy. Art history states that these paintings, assigned to the painter Garcia Fernandes, were produced in Lisbon circa 1530 and carried to Goa shortly after, Serrão (2011), Reis-Santos (1957). Presently, the...
In the framework of the inter-disciplinary KongoKing project, a set of beads from archaeological excavations in the Democratic Republic of the Congo was analysed by means of a minimally invasive, multi-analytical approach based on micro-Raman spectroscopy. The full characterization of the materials, including glassy network, opacifiers and colorizers, was achieved thanks to the combination of data from handheld...