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Early Gramophone Records from Mozambique: the case of the Radio Mozambique Soun...

Tsope, Cristiano

This paper seeks to analyze the confrontation between racial/tribal dynamics and colonial policies in the construction of Rádio Moçambique’s sound archive. Created in 1932 as the “Grémio dos Radiófilos da Colónia de Moçambique”, the institution was a crucial instrument for Portuguese colonial policy during the period of the dictatorship (1930–1974). Rádio Moçambique’s 78 rpm collection comprises more than 22,00...


Colonial ideologies, policies and absence of local musical practices in Radio M...

Tsope, Cristiano

Rádio Moçambique (RM), founded in 1932 as the Grémio dos Radiófilos da Colónia de Moçambique (GRCM) by amateurs, is the largest and oldest radio station in the country. Its current name dates from October 2, 1975, after the independence of Mozambique and the nationalization of the radio stations. Its sound archive contains more than 100 thousand records, of which about 22 thousand corresponds to the collection ...


Liber|Sound – Innovative Archival Practices toward Sound Memory Liberation. A T...

Sardo, Susana; Aragão, Pedro; Tsope, Cristiano; Binazzi, Biancamaria

Liber|Sound is a research project developed by INET-md and the University of Aveiro, which aims to connect different sound archives in the Lusophone world. The project was awarded in 2021 with 250 thousand euros from the Portuguese Foundation for Science and Technology, the institution that supports research in Portugal. LiberSound works with four historical sound archives located in Brazil (Discografia Brasile...


Panel: Exploring shared research practices in sound archives: three case-studie...

Aragão, Pedro; Sousa, Nalini Elvino de; Tsope, Cristiano

The aim of this panel is to present partial results of an ongoing research project called Liber|Sound: Innovative archival practices toward sound memory liberation. Recorded music, transcontinental experience, connected communities. Developed by Universidade de Aveiro and INET-md, LiberSound project is focused on the study of popular music recorded during the first half of the 20th century. The project aims to ...


O arquivo sonoro como memória transcultural: um olhar sobre a discoteca da Rádi...

Tsope, Cristiano; Velho, Felizmina Walters

A Rádio Moçambique, fundada em 1932 como Grémio dos Radiófilos da Colónia de Moçambique, mais tarde Rádio Clube de Moçambique, não só foi a primeira estação de rádio instalada no país, mas como também a primeira a estabelecer uma ligação radiofónica entre uma colónia e a Metrópole no Império Colonial de Portugal. Nesta pesquisa propusemos uma análise etnomusicológica do Arquivo Sonoro da Rádio Moçambique (RM) c...


O arquivo sonoro da Rádio Moçambique e as dinâmicas socioculturais em Moçambiqu...

Tsope, Cristiano

Desde os primórdios do século XX, as gravações sonoras têm despertado o interesse dos estudiosos. Neste caso, o estudo do Arquivo Sonoro da Rádio Moçambique (RM) é de fundamental importância para a inteligibilidade das dinâmicas socioculturais de Moçambique no contexto da Administração Colonial Portuguesa, sobretudo entre os anos 1933 e 1974. O estudo parte do pressuposto de que o arquivo, hoje, não mais é vist...


Sonic representations of Mozambicans in Radio Mozambique Magazine between 1933 ...

Tsope, Cristiano

The history of broadcasting in Mozambique shows that radio listening in the context of “historical colonialism” (SANTOS, 2018) was conditioned and changeable according to the ideological needs and interests of the power holders. This paper seeks to understand the extent to which sound (music) created identities and transformed social relations in the Colony of Mozambique between 1933 and 1962. This consists of ...


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