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Analysis of green pigments: The case of Almada Negreiros maritime station mural...

Valadas, Sara; Vandenabeele, Peter; Gil, Milene; Frade, José Carlos; Vermeersch, Eva; Lycke, Silvia; Dias, Luís; Candeias, António; Costa, Mafalda

In 1949, Almada Negreiros painted at the maritime station of Rocha do Conde de Óbidos, in Lisbon, six monumental mural paintings, which are considered as his highest artistic achievement. On these paintings, he resorted to a bright colourful palette, which needs to be studied to support conservation and preservation of these artworks for future generations. Among the pigments under study within project ALMADA, ...


An Insight into the Green Deteriorated Paint Layers of the Maritime Station of ...

Gil, Milene; Costa, Mafalda; Dias, Luis; Frade, José Carlos; Vandenabeele, Peter

This study reports the first results of the analysis carried out in 2022 on deteriorated green paint layers from the mural paintings made by Almada Negreiros at the Maritime Station of Alcantara, in Lisbon (Portugal). These murals painted in 1945 are one of the most emblematic painting sets done by the modernist artist and exhibit a bright chromatic palette that displays different states of conservation, with t...


Modern Muralists in the Spotlight: Technical and Material Characteristics of th...

Gil, Milene; Cardoso, Inês; Costa, Mafalda; Frade, José Carlos

This paper presents the first insight into how Almada Negreiros, a key artist of the first generation of modernism in Portugal, created his mural painting masterpiece in the maritime station of Rocha do Conde de Óbidos in Lisbon. This set of six monumental mural paintings dates from 1946 to 1949 and is considered Almada’s artistic epitome. As part of the ALMADA project: Unveiling the mural painting art of Almad...


An Insight into the Green Deteriorated Paint Layers at the Maritime Station of ...

Acevedo-Mejia, Andrea; Costa, Mafalda; Vandenabeele, Peter; Dias, Luís; Frade, José Carlos; Gil, Milene

This study reports the first results of the analysis carried out in 2022 on deteriorated green paint layers from the mural paintings made by Almada Negreiros at the Maritime Station of Alcantara, in Lisbon (Portugal). These murals painted in 1945 are one of the most emblematic painting sets done by the modernist artist and exhibit a bright chromatic palette that displays different states of conservation, with t...


Bituminous waterproofing mortar applied on masonry walls of 19th and 20th centu...

Lier-Klüge, Andreia; Vieira, Eduarda; Guedes, João Miranda; Ferreira, Cláudia; Frade, José Carlos; Bordalo, Rui

Bituminous mortars characterize the traditional buildings of the city of Porto and northern Portugal, especially those built between the end of the 19th century and the first decades of the 20th century. This article aims to determine the composition of this bituminous mortar through an analytical study by micro-FTIR and Py-GS/MS, and to assert experimentally its effectiveness as a waterproofing material though...


Bituminous waterproofing mortar applied on masonry walls of 19th and 20th centu...

Lier-Klüge, Andrea; Vieira, Eduarda; Guedes, João Miranda; Ferreira, Cláudia; Frade, José Carlos; Bordalo, Rui

Bituminous mortars characterize the traditional buildings of the city of Porto and northern Portugal, especially those built between the end of the 19th century and the first decades of the 20th century. This article aims to determine the composition of this bituminous mortar through an analytical study by micro-FTIR and Py-GS/MS, and to assert experimentally its effectiveness as a waterproofing material though...


A argamassa betuminosa de corte hídrico aplicada nos edifícios tradicionais por...

Lier-Kluge, Andrea Carvalho; Vieira, Eduarda; Guedes, João Paulo Miranda; Frade, José Carlos


Museu Diocesano de Santarém: estudo da escultura em terracota policromada Nossa...

Frade, José Carlos; Felizardo, Carla; Afonso, José Ferrão; Subtil, Eulália; Ferreira, Carla; Candeias, António


The retable of the chapel of Our Lady of Mercy in the cloister of Oporto’s Cath...

Monteiro, Patrícia; Frade, José Carlos; Barata, Carolina; Candeias, António

The retable located in the Chapel of Our Lady of Mercy, in the cloisters of Oporto’s cathedral, dates back to the 17th century. Artistically, it belongs to a transition period between the Mannerism and the Baroque styles. The artistic value and the lack of documented information about the artwork led to the development of a project contemplating its the study. Both chemical and physical analyses - observation o...


Imprimitura ou camada de impregnação : contributo através do estudo laboratoria...

Frade, José Carlos; Aguiar, Maria; Felizardo, Carla; Cadeias, António José

Este trabalho teve como objectivo a caracterização técnico-material de um retábulo do século XVII, dedicado ao tema da vida de Cristo e pertencente à igreja de Tancos, diocese de Santarém. O estudo do conjunto retabular, cuja autoria tem sido atribuída pelos historiadores a Diogo Teixeira, foi realizado no âmbito da intervenção de conservação que decorreu no Centro de Conservação e Restauro da Universidade Cató...


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