In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here ...
In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here ...
The present research addresses the performative theatre creations developed in real time in the environment of the international computer network, questioning the dynamics established between scene and reception, actors/performers and spectators. Based on the recognition of the nature of the contracts between the spectator and the scene promoted by the first theatrical practices associated with teletechnologies...
Em uma perspectiva histórica, este estudo tece cruzamentos entre a prática teatral e a evolução da tecnologia de imagem no decorrer do século XX ao início do XXI. Desvenda as aproximações e desconfianças iniciais do teatro face às transformações tecnológicas ocorridas no seio da sociedade e destaca a situação atual de uma cena teatral em que, sem preconceito, se mesclam imagens compostas por corpos vivos e imag...