3 documents found, page 1 of 1
Identification and removal of nonoriginal layers in the 16th century paintings ...
Gomes, S; Ferreira, C; Nascimento, G; Piorro, L; Cardoso, A; Candeias, A; Lorena, MThis article is an outcome of the study, deci-sions, and restoration work undertaken during the inte-grated conservation project of the 16th century paintingsof Funchal’s Cathedral main chapel’s altarpiece, inMadeira Island, Portugal. After diagnostic research hasallowed a complete understanding of the original mate-rial of the 12 Portuguese–Flemish paintings, it has beenrevealed the presence of other superimpo...
Challenging wax-cast figurine serial production unravelled by multi-analytical ...
Le Gac, A; Madeira, T; Pereira, M; Santos, J; Piorro, L; Dias, L; Manso, M; Bleton, J; Longelin, S; Prazeres, C; Mirao, J; marques, J; Candeias, AEight complementary techniques were successfully applied to study a pair of very alike eighteenth-century colored wax figurines belonging to the Museu Nacional Machado de Castro, Coimbra (Portugal): examination under visible and ultraviolet light, X-ray radiography (XRR), neutron radiography and tomography (NR and NT), energy dispersive X-ray fluorescence (EDXRF), scanning electron microscopy coupled with energ...
Considerações técnicas, materiais e artísticas sobre o retábulo da Misericórdia...
Serrao, V; Antunes, V; Oliveira, M; Dias, L; Costa, S; Piorro, L; Candeias, A; Mirão, J; Coroado, J; Carvalho, ML; Seruya, AIGiraldo Fernandes de Prado (about 1530-1592) was a treaty writer, painter of fresco and altarpieces, illuminator, calligrapher and knight educated and serving the Bragança Ducal court. To this painter, with strong Italian education, is due the first treatise of calligraphy in Portugal -- the Tratado de Letra Latina (1560-1561), now in the Columbia University, New York. In 1590-1591 Francisco de Andrada and Manu...