Based on the film Rua do Prior 41, by Lorenzo d’Amico de Carvalho, the two authors discuss the possibilities of representing the Carnation Revolution of April 1974 and the uses of memory. Crossing their gazes on historiographical interests, the use of image, creation and dissemination through theatre and cinema, Strippoli and d’Amico de Carvalho talk about the relationship between archival sources, literature, ...