Denouncing and exposing censorship procedures has been one of Luiz Francisco Rebello’s (1924-2011) most visible lines of action, whether in his public interventions, his theatrical practice, his playwriting or in his theatre historiography. In this essay, we remember and discuss some key moments of Rebello’s resistance to censorship: his intervention as keynote speaker in the International Federation for Theatr...
Denouncing and exposing censorship procedures has been one of Luiz Francisco Rebello’s (1924-2011) most visible lines of action, whether in his public interventions, his theatrical practice, his playwrighting or in his theatre historiography. In this essay, we remember and discuss some key moments of Rebello’s resistance to censorship: his intervention as keynote speaker in the International Federation for Thea...
Acting is widely acknowledged to be the central art of the theatre and has a long and vibrant history. With over one thousand entries, this is the first encyclopedia of stage actors and acting around the world. More than one hundred renowned international contributors provide biographical, historical and technical information about actors both familiar and obscure whose work has been crucial in the development ...
A propósito de Hamlet, e escrevendo para o volume da sua tradução para português por Ricardo Alberty (na Editorial Verbo), o Professor Fernando de Mello Moser reporta a escrita desta tragédia – na sua relação com outras tragédias do autor – ao período logo a seguir a Julius Caesar (1599) e antes de Othello (1604). Recusa-se, todavia, a designar esta fase como sendo “sombria”, como por vezes é referida.
Eppur si muove...
A festa magnífica no Porto para a cerimónia do Prémio da Crítica 2013
Ah! Que Beckett este, pelo Teatro Nacional São João!
Recensão aRui Pina Coelho, Já passaram quantos anos, perguntou ele, e outros textos (A irrisão das flores; Fall Collection; Ainda assim), Vila Nova de Famalicão, Húmus, Publicações CCT/TEP, Colecção Teatro Não é Literatura, 2013, 162 pp.
Recensão aJorge Gomes Ribeiro, Em baixo e em cima: A propósito de Beckett, Prefácio de Carlos J. Pessoa, Amadora, Escola Superior de Teatro e Cinema, 2014, 57 pp.
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