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A Questão do Olhar (e do Ouvir)

Joaquim, Vitor

Can we consider performative creation without considering the public dimension of the presentation apparatus in itself? Does it make sense to consider music creation for live 2 settings without taking into account the crucial aspects of sound diffusion and the listening situation? Following this line of inquiry, the text tackles the problem of non-production of gestural information, a fundamental dimension in t...


The unthinkable of nothingness

Joaquim, Vitor

The Unthinkable of Nothingness is a performance pro- posal focused on the possible experiences of listen- ing, following the principles of acousmatic as it was conceived by the Greek philosopher Pythagoras who proposed the abolition of his own visual appearance, using a veil while he was teaching to his students. He argued that by the implementation of this pro- cess,the concentration on the message would be mu...


Are Luminous Devices Helping Musicians to Produce Better Aural Results, or Just...

Joaquim, Vitor; Barbosa, Álvaro

By the end of the 90’s a new musical instrument entered the stage of all stages and since then, played a key role in the way music is created and produced, both in the studio and performing venues. The aim of this paper is to discuss what we consider to be fundamental issues on how laptopers, as musicians, are dealing with the fact that they are not providing the ‘usual’ satisfaction of a ‘typical’ performance,...



SMC 2009

Makelberge, Nicolas; Guerreiro, Ricardo; Joaquim, Vitor


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