O presente artigo investiga a reconstrução das narrativas de Primo Basílio e Os Maiasde Eça de Queirós para as minisséries da Rede Globo de Televisão do ponto de vistada reconfiguração dos objetos. A partir das noções de materialidade e de condiçõesda produção de presença (Gumbrecht, 1998; 2011) tratamos das condições tecnológicase estéticas que envolvem a construção da imagem, dos cenários e dos figurinos.Argu...
This work looks up through the production of the sceneries and costumes of two Brazilian TV mini-series, linked by their original author. Throughout a historically overview we discuss the modernization of production since 1988 (O Primo Basílio) to 2000 (Os Maias), when we can find advanced technological resources and a better structured production work organization. The better quality of image, the enhancement ...
Starting from the bias of the field of study of materialities, our work reflects on how electronic communication technologies configure new forms of perception of reality and collective interaction. It is under this prism that, in studying MTV Brazil programs, we seek to find in their images, perceptions of the contemporary world derived from the central system of their young viewers with the new communication ...
This paper intends to focus on innovative material elements of the Brazilian telenovela Dancing Days (1978) such as props, recording techniques and costumes. We claim that this telenovela set new standards within the context of Brazilian television. The approach we propose here, of a nonhermeneutic study of its materiality, will enable us to see the telenovela as part of a contemporary urban esthetics.; El obje...
This project analyzes the television set’s Remote Control and interactivity interface based on the evolution of this medium’s technological characteristics. Trying not to notice a hermeneutic approach, we identified the Remote Control as an important variable for the composition of television’s image. The Remote Control contributes to rendering a television programming more fragmented, interactive, a less figur...