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Trabalho de conclusão de curso (graduação)—Universidade de Brasília, Faculdade de Comunicação, Departamento de Audiovisuais e Publicidade, 2017.

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A presente monografia busca compreender conceitualmente a significação do gênero artístico que utiliza o erro no processamento de imagens em seu cerne: a arte glitch. Para tal fim, foi feita a análise de diversos produtos audiovisuais com bases teóricas fundamentadas especialmente nos textos dos acadêmicos Iman Moradi e Rosa Menkman, buscando o entendimento do contexto e da crítica implícita nas obras provenientes da arte glitch, pesquisando também sobre seus processos técnicos e comunicacionais e suas relações com a ideia de simulacro de Jean Baudrillard.

This monograph was made to research and understand conceptually the artistic genre's signification by using error in the image's data process. In order to reach this end, it was made the analysis of several audiovisuals products, based on the texts of academic researchers such as Iman Moradi and Rosa Menkman. The goal is to grasp the context and implicit critic in art glitch's works, also by investigating their technical and communicational procedures and their relations with Jean Baudrillard's idea of simulacra.