Autor(es): Rodrigues, Lutero [UNESP]
Data: 2022
Identificador Persistente: http://hdl.handle.net/11449/221391
Origem: Oasisbr
Assunto(s): José Maurício Nunes Garcia; Luso-brazilian colonial music; Musical prosody; Sacred music; José Maurício Nunes Garcia; José Maurício Nunes Garcia; Luso-brazilian colonial music; Luso-brazilian colonial music; Musical prosody; Musical prosody; Sacred music; Sacred music
Made available in DSpace on 2022-04-28T19:28:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2019-01-01
We started with the systematic relation between prosodic accents and dissonant chords, discovered in a small choral music work of Fr. José Maurício Nunes Garcia, composed at his initial phase. We looked for this procedure on his choral works of the period, comparing them with other composers’ works of the same time who were working in Brazil. Finally, we tried to find the continuity of his interest for prosody, in two of his most important works, composed in later moments.
Universidade Estadual Paulista Júlio de Mesquita Filho Instituto de Artes de São Paulo
Universidade Estadual Paulista Júlio de Mesquita Filho Instituto de Artes de São Paulo
