Publicação
O meu corpo é uma ruína: as casas também morrem
| Resumo: | This is an investigation about ruins, that aims to explore the relationship between architecture and performatic body. Here, it’s presented the theoretical development about a multimedia work done within the last two years. Theory and practice have worked together and have always, depended on each other. Studying the notion of ruin was fundamental for the forward development of the body as a building. To work with and about ruins it is necessary to understand its relationship with the human being through the ages. It’s mainly an emotional e sensorial discovery about a ruin that is already built, bodily and then, inevitably, by the nature of the events, a moral ruin. Therefore, this thesis has been divided in a chronological order, similar to the path the work had gone through. The understanding of the romantic ruin, associated with nostalgy and contemplation of the Romantic period, going through the created ruin by mankind during Modernism, until the works done by contemporary artists, such as Gordon Matta-Clark, Robert Smithson e Rebecca Woodman, as references, not as inspirations but as examples of different ways to work different notions of ruin. It became, also, important to analyze, even if briefly, de notion of psychosomatic body, that presents itself as a physical ruin in an emotional and psychological of empathy with its surroundings. The body tends to imitate its context. The attempt to present the work is seen as an experience which enables the most correct description of the event. Either way, those experiences will be presented, objectively. Also, it’s presented the tragic event that made the work to be extended in the future but in the present to be used as a moment of reflection. The instant devastation of the territory from where the object of ruin is from, imposed to be included the notion of catastrophe and therefore, the notion of immediate ruin, which until now the notion was the one of time and return to mother nature. To talk about ruin, we need to know how to wait. I too, learnt how to wait. |
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| Autores principais: | Marques, Ana Margarida Fernandes |
| Assunto: | Matta-Clark, Gordon, 1943-1978 Smithson, Robert, 1938-1973 Woodman, Francesca, 1958-1981 Ruínas Casa Corpo humano Tempo Catástrofes Morte Arte da performance |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso restrito |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | This is an investigation about ruins, that aims to explore the relationship between architecture and performatic body. Here, it’s presented the theoretical development about a multimedia work done within the last two years. Theory and practice have worked together and have always, depended on each other. Studying the notion of ruin was fundamental for the forward development of the body as a building. To work with and about ruins it is necessary to understand its relationship with the human being through the ages. It’s mainly an emotional e sensorial discovery about a ruin that is already built, bodily and then, inevitably, by the nature of the events, a moral ruin. Therefore, this thesis has been divided in a chronological order, similar to the path the work had gone through. The understanding of the romantic ruin, associated with nostalgy and contemplation of the Romantic period, going through the created ruin by mankind during Modernism, until the works done by contemporary artists, such as Gordon Matta-Clark, Robert Smithson e Rebecca Woodman, as references, not as inspirations but as examples of different ways to work different notions of ruin. It became, also, important to analyze, even if briefly, de notion of psychosomatic body, that presents itself as a physical ruin in an emotional and psychological of empathy with its surroundings. The body tends to imitate its context. The attempt to present the work is seen as an experience which enables the most correct description of the event. Either way, those experiences will be presented, objectively. Also, it’s presented the tragic event that made the work to be extended in the future but in the present to be used as a moment of reflection. The instant devastation of the territory from where the object of ruin is from, imposed to be included the notion of catastrophe and therefore, the notion of immediate ruin, which until now the notion was the one of time and return to mother nature. To talk about ruin, we need to know how to wait. I too, learnt how to wait. |
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