Publicação

O risco do risco: ponto e linha sob a pele

Ver documento

Detalhes bibliográficos
Resumo:Tattooing, as an ancient human culture, is at a point of technological development and social normalization that instigates its research on more conceptual levels, without losing its ritualistic aspect. The motivation for this work is the search for new approaches to this ancient practice that has undergone various incarnations and traditions throughout history in different societies. Printing and expression meet and merge during the research conducted at Faculdade de Belas Artes da Universidade de Lisboa. Through my presence in the Glass workshop, the work acquired a practical component that guided the development of the processes created in this project, with very detailed descriptions of each step. At the sarne time, the text is based on theoretical questions about Drawing in tattooing, closely related to the equipment <needle> and its repetitive unitary marks, in addition to a historical survey in eight case studies, from antiquity to the present day. The process of marking the skin with indelible drawings involves an immense responsibility, because every time the needle pierces the skin there is risk involved. The drawing medium is another human being who will have the tattoo artist's gestures permanently marked on them, in addition to the health risks involved in the process, even with all biosafety protocols in place. This research moves towards two strands of practical projects, which explore how the material of the medium influences the drawing. On the one hand, drawings on paper that correlate conceptual characteristics and limitations of tattooing, such as permanent choices, the fragility of the medium, the overlapping of layers. On the other hand, the development of the Tattools, modular glass objects that print unique designs on the skin, seeking subjectivity in the process of applying the tattoo, which is usually very objective.
Autores principais:Rosas, João Vítor Moreira
Assunto:Tatuagem Risco Vidro Impressão Permanência Estudos de caso
Ano:2025
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
_version_ 1866811583852707840
author Rosas, João Vítor Moreira
author_facet Rosas, João Vítor Moreira
author_role author
contributor_name_str_mv Quintas, Fernando Manuel Baeta
Oliveira, Susana Martins de
Repositório Científico de Acesso Aberto da ULisboa
country_str PT
creators_json_txt [{\"Person.name\":\"Rosas, João Vítor Moreira\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Quintas, Fernando Manuel Baeta
Oliveira, Susana Martins de
Repositório Científico de Acesso Aberto da ULisboa
datacite.creators.creator.creatorName.fl_str_mv Rosas, João Vítor Moreira
datacite.date.Accepted.fl_str_mv 2025-02-14T00:00:00Z
datacite.date.available.fl_str_mv 2025-03-19T15:30:13Z
datacite.date.embargoed.fl_str_mv 2025-03-19T15:30:13Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
datacite.titles.title.fl_str_mv O risco do risco: ponto e linha sob a pele
dc.contributor.none.fl_str_mv Quintas, Fernando Manuel Baeta
Oliveira, Susana Martins de
Repositório Científico de Acesso Aberto da ULisboa
dc.creator.none.fl_str_mv Rosas, João Vítor Moreira
dc.date.Accepted.fl_str_mv 2025-02-14T00:00:00Z
dc.date.available.fl_str_mv 2025-03-19T15:30:13Z
dc.date.embargoed.fl_str_mv 2025-03-19T15:30:13Z
dc.format.none.fl_str_mv image/png
application/pdf
application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10400.5/99488
dc.language.none.fl_str_mv por
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.subject.none.fl_str_mv Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
dc.title.fl_str_mv O risco do risco: ponto e linha sob a pele
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_bdcc
description Tattooing, as an ancient human culture, is at a point of technological development and social normalization that instigates its research on more conceptual levels, without losing its ritualistic aspect. The motivation for this work is the search for new approaches to this ancient practice that has undergone various incarnations and traditions throughout history in different societies. Printing and expression meet and merge during the research conducted at Faculdade de Belas Artes da Universidade de Lisboa. Through my presence in the Glass workshop, the work acquired a practical component that guided the development of the processes created in this project, with very detailed descriptions of each step. At the sarne time, the text is based on theoretical questions about Drawing in tattooing, closely related to the equipment <needle> and its repetitive unitary marks, in addition to a historical survey in eight case studies, from antiquity to the present day. The process of marking the skin with indelible drawings involves an immense responsibility, because every time the needle pierces the skin there is risk involved. The drawing medium is another human being who will have the tattoo artist's gestures permanently marked on them, in addition to the health risks involved in the process, even with all biosafety protocols in place. This research moves towards two strands of practical projects, which explore how the material of the medium influences the drawing. On the one hand, drawings on paper that correlate conceptual characteristics and limitations of tattooing, such as permanent choices, the fragility of the medium, the overlapping of layers. On the other hand, the development of the Tattools, modular glass objects that print unique designs on the skin, seeking subjectivity in the process of applying the tattoo, which is usually very objective.
dirty 0
eu_rights_str_mv openAccess
format masterThesis
fulltext.url.fl_str_mv https://repositorio.ulisboa.pt/bitstreams/d05a8474-0e3b-4635-8734-f93f4dffbff9/download
id ul_7fcbb1ed9bb211aee57eab915f3567eb
identifier.url.fl_str_mv http://hdl.handle.net/10400.5/99488
instacron_str ul
institution Universidade de Lisboa
instname_str Universidade de Lisboa
language por
network_acronym_str ul
network_name_str Repositório da Universidade de Lisboa
oai_identifier_str oai:repositorio.ulisboa.pt:10400.5/99488
organization_str_mv urn:organizationAcronym:ul
person_str_mv Rosas, João Vítor Moreira
publishDate 2025
reponame_str Repositório da Universidade de Lisboa
repository_id_str urn:repositoryAcronym:ul
service_str_mv urn:repositoryAcronym:ul
spelling porpt_PTTattooing, as an ancient human culture, is at a point of technological development and social normalization that instigates its research on more conceptual levels, without losing its ritualistic aspect. The motivation for this work is the search for new approaches to this ancient practice that has undergone various incarnations and traditions throughout history in different societies. Printing and expression meet and merge during the research conducted at Faculdade de Belas Artes da Universidade de Lisboa. Through my presence in the Glass workshop, the work acquired a practical component that guided the development of the processes created in this project, with very detailed descriptions of each step. At the sarne time, the text is based on theoretical questions about Drawing in tattooing, closely related to the equipment <needle> and its repetitive unitary marks, in addition to a historical survey in eight case studies, from antiquity to the present day. The process of marking the skin with indelible drawings involves an immense responsibility, because every time the needle pierces the skin there is risk involved. The drawing medium is another human being who will have the tattoo artist's gestures permanently marked on them, in addition to the health risks involved in the process, even with all biosafety protocols in place. This research moves towards two strands of practical projects, which explore how the material of the medium influences the drawing. On the one hand, drawings on paper that correlate conceptual characteristics and limitations of tattooing, such as permanent choices, the fragility of the medium, the overlapping of layers. On the other hand, the development of the Tattools, modular glass objects that print unique designs on the skin, seeking subjectivity in the process of applying the tattoo, which is usually very objective.image/pngapplication/pdfapplication/pdfpt_PTO risco do risco: ponto e linha sob a peleRosas, João Vítor MoreiraQuintas, Fernando Manuel BaetaOliveira, Susana Martins deHostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:2038951262025-03-19T15:30:13Z2025-02-142025-02-14T00:00:00ZHandlehttp://hdl.handle.net/10400.5/99488http://purl.org/coar/access_right/c_abf2open accessTatuagemRiscoVidroImpressãoPermanênciaEstudos de caso38432 bytes31410182 bytes7633087 bytesliteraturehttp://purl.org/coar/resource_type/c_bdccmaster thesishttp://purl.org/coar/access_right/c_abf2image/pngfulltexthttps://repositorio.ulisboa.pt/bitstreams/d05a8474-0e3b-4635-8734-f93f4dffbff9/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/a6752522-7da2-480e-89d2-0d959c642b10/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/2a145989-bc0c-443d-a325-266ef52e78ea/download
spellingShingle O risco do risco: ponto e linha sob a pele
Rosas, João Vítor Moreira
Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
status SINGLETON
subject.fl_str_mv Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
title O risco do risco: ponto e linha sob a pele
title_full O risco do risco: ponto e linha sob a pele
title_fullStr O risco do risco: ponto e linha sob a pele
title_full_unstemmed O risco do risco: ponto e linha sob a pele
title_short O risco do risco: ponto e linha sob a pele
title_sort O risco do risco: ponto e linha sob a pele
topic Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
topic_facet Tatuagem
Risco
Vidro
Impressão
Permanência
Estudos de caso
url http://hdl.handle.net/10400.5/99488
visible 1