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Arte participativa como meio didático e de sensibilização de um território específico : Paul de Tornada

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Detalhes bibliográficos
Resumo:The project work, of theoretical-practical nature, was developed within the scope of the Master in Multimedia Art at the Faculty of Fine Arts of the University of Lisbon and proposes to work on the concepts of ecological art and participatory art and apply them in the context of the Tornada's Marsh Local Nature Reserve in Caldas da Rainha, as didactic means and environmental awareness. Divided into three chapters, the first chapter presents the concepts of ecological art and participatory art and their contextualization with reference to the works Desert Cantos (1979) by Richard Misrach, O canavial: memória-metamorfose de um corpo ausente (1968) by Alberto Carneiro, Over Flow (2018) by Tadashi Kawamata and Field (1989 – 2003) by Antony Gormley. The second chapter dedicated to Paul presents his history, mission and some activities. The third and final chapter describes the artistic project in which the concepts of the first chapter are applied, adapted according to the context presented in the second chapter. The practical aspect consists in a multimedia artistic project created and applied in Paul, composed of two participatory projects, Histórias Semeadas and 1986 – 2022 Paul de Tornada. The first involves the execution of two activities with the public and the second is based on an exhibition and one participatory activity Cuidar do futuro do Paul de Tornada. Both have a physical dimension and an online dimension, based on the elaboration of a website, which will become the future official website of the Ecologic Educational Centre of Tornada's Marsh.
Autores principais:Moreira, Carolina Miradouro
Assunto:Arte ecológica Arte participativa Arte multimédia Educação ambiental Paul de Tornada (Caldas da Rainha, Portugal)
Ano:2023
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
Descrição
Resumo:The project work, of theoretical-practical nature, was developed within the scope of the Master in Multimedia Art at the Faculty of Fine Arts of the University of Lisbon and proposes to work on the concepts of ecological art and participatory art and apply them in the context of the Tornada's Marsh Local Nature Reserve in Caldas da Rainha, as didactic means and environmental awareness. Divided into three chapters, the first chapter presents the concepts of ecological art and participatory art and their contextualization with reference to the works Desert Cantos (1979) by Richard Misrach, O canavial: memória-metamorfose de um corpo ausente (1968) by Alberto Carneiro, Over Flow (2018) by Tadashi Kawamata and Field (1989 – 2003) by Antony Gormley. The second chapter dedicated to Paul presents his history, mission and some activities. The third and final chapter describes the artistic project in which the concepts of the first chapter are applied, adapted according to the context presented in the second chapter. The practical aspect consists in a multimedia artistic project created and applied in Paul, composed of two participatory projects, Histórias Semeadas and 1986 – 2022 Paul de Tornada. The first involves the execution of two activities with the public and the second is based on an exhibition and one participatory activity Cuidar do futuro do Paul de Tornada. Both have a physical dimension and an online dimension, based on the elaboration of a website, which will become the future official website of the Ecologic Educational Centre of Tornada's Marsh.