Publicação
Rever, o retrato ressignificado
| Resumo: | The article I present focuses on the work of Brazilian visual artist Rochele Zandavalli (1980), most precisely the series “Review”. This series has the photographic portrait as the main theme. Beyond register-image, the artist proposes a new bottomline to other stories. Therefore the proposition is to think over apropriation and ressignification of the photographic portarit done by Zandavalli in the series “Review”. It is to think the way that the artist potentiates the new in those images, to think the poetics built. Theorical references are Fabris (2004), Barthes (1984), Fatorelli (2003) and Rouillé (2009), as wel as the artist herself (2012) |
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| Autores principais: | Gonçalves, Sandra Maria Lúcia Pereira |
| Assunto: | Zandavalli, Rochele, 1980- Arte Fotografia Retrato Ressignificação |
| Ano: | 2014 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | The article I present focuses on the work of Brazilian visual artist Rochele Zandavalli (1980), most precisely the series “Review”. This series has the photographic portrait as the main theme. Beyond register-image, the artist proposes a new bottomline to other stories. Therefore the proposition is to think over apropriation and ressignification of the photographic portarit done by Zandavalli in the series “Review”. It is to think the way that the artist potentiates the new in those images, to think the poetics built. Theorical references are Fabris (2004), Barthes (1984), Fatorelli (2003) and Rouillé (2009), as wel as the artist herself (2012) |
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