Publicação
In Situ : ficções de um programa de Pintura contemporânea
| Resumo: | Site-specific: Fictions of a contemporary painting program is the title of this theoretical and practical research in Fine Arts (Painting). The research is composed with eleven distinct pictorial installations that link three factors: 1) the site-specific concept applied to painting, 2) positioning / installation of the pictorial object with relevance and adequacy in a given place and 3) the museum as a reference and otherness. Painting as an artistic field delineates, informs and gives form exclusively to these installations: it is prima materia. As determined in this research, the specificity of the pictorial installation questions the multiple types of relationship that the pictorial object can raise through its positioning in several exhibition spaces with distinct architectural typologies. Painting composition agrees with the logic of placing as it gives way to pictorial elements in a formal and conceptual arrangement. The installations either takes a direct reference – in loco – to the museum, with or without its exposed collection, either suggests it from other exhibition spaces. Inside and/or outside the museum these pictorial installations convoke procedures proper to the museum: as storage, classification, cataloguing and diffusion, as a building (architectural morphology), and as a mechanism of institutionalization, a place of legitimacy of the objects displayed. The six pictorial installations that relate indirectly to the museum’s collection seek to answer the question: how can the museum be fictionalized in an exhibition outside its context, using the practice of painting? The five pictorial installations that are directly related to the museum’s collection seek to answer the question: how the site-specific installations that dialogue immediately with the exposed museum’s collection can empower the museum’s discourses and update it? These two groups divide the research in fields titled Fiction the Museum and The Museum as Fiction, merging conceptually and formally in Against the Grain the pictorial installation that has always been on the horizon since the beginning of the research. In conclusion, the registration done with Artist Books is presented as a work itself. As the museum it is a document, a file and a memory of a temporary pictorial installation |
|---|---|
| Autores principais: | Macedo, Rui Alexandre, 1975- |
| Assunto: | Pintura In-Situ Instalação (Arte) Museus Ficção |
| Ano: | 2017 |
| País: | Portugal |
| Tipo de documento: | tese de doutoramento |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| _version_ | 1866811256970674176 |
|---|---|
| author | Macedo, Rui Alexandre, 1975- |
| author_facet | Macedo, Rui Alexandre, 1975- |
| author_role | author |
| contributor_name_str_mv | Sabino, Isabel, 1955- Babo, Maria Augusta, 1954- Pereira, Fernando António Baptista, 1953- Repositório Científico de Acesso Aberto da ULisboa |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Macedo, Rui Alexandre, 1975-\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Sabino, Isabel, 1955- Babo, Maria Augusta, 1954- Pereira, Fernando António Baptista, 1953- Repositório Científico de Acesso Aberto da ULisboa |
| datacite.creators.creator.creatorName.fl_str_mv | Macedo, Rui Alexandre, 1975- |
| datacite.date.Accepted.fl_str_mv | 2017-09-21T00:00:00Z |
| datacite.date.available.fl_str_mv | 2018-07-05T13:41:52Z |
| datacite.date.embargoed.fl_str_mv | 2018-07-05T13:41:52Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Pintura In-Situ Instalação (Arte) Museus Ficção |
| datacite.titles.title.fl_str_mv | In Situ : ficções de um programa de Pintura contemporânea |
| dc.contributor.none.fl_str_mv | Sabino, Isabel, 1955- Babo, Maria Augusta, 1954- Pereira, Fernando António Baptista, 1953- Repositório Científico de Acesso Aberto da ULisboa |
| dc.creator.none.fl_str_mv | Macedo, Rui Alexandre, 1975- |
| dc.date.Accepted.fl_str_mv | 2017-09-21T00:00:00Z |
| dc.date.available.fl_str_mv | 2018-07-05T13:41:52Z |
| dc.date.embargoed.fl_str_mv | 2018-07-05T13:41:52Z |
| dc.format.none.fl_str_mv | image/jpeg application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10451/34113 |
| dc.language.none.fl_str_mv | por |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Pintura In-Situ Instalação (Arte) Museus Ficção |
| dc.title.fl_str_mv | In Situ : ficções de um programa de Pintura contemporânea |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_db06 |
| description | Site-specific: Fictions of a contemporary painting program is the title of this theoretical and practical research in Fine Arts (Painting). The research is composed with eleven distinct pictorial installations that link three factors: 1) the site-specific concept applied to painting, 2) positioning / installation of the pictorial object with relevance and adequacy in a given place and 3) the museum as a reference and otherness. Painting as an artistic field delineates, informs and gives form exclusively to these installations: it is prima materia. As determined in this research, the specificity of the pictorial installation questions the multiple types of relationship that the pictorial object can raise through its positioning in several exhibition spaces with distinct architectural typologies. Painting composition agrees with the logic of placing as it gives way to pictorial elements in a formal and conceptual arrangement. The installations either takes a direct reference – in loco – to the museum, with or without its exposed collection, either suggests it from other exhibition spaces. Inside and/or outside the museum these pictorial installations convoke procedures proper to the museum: as storage, classification, cataloguing and diffusion, as a building (architectural morphology), and as a mechanism of institutionalization, a place of legitimacy of the objects displayed. The six pictorial installations that relate indirectly to the museum’s collection seek to answer the question: how can the museum be fictionalized in an exhibition outside its context, using the practice of painting? The five pictorial installations that are directly related to the museum’s collection seek to answer the question: how the site-specific installations that dialogue immediately with the exposed museum’s collection can empower the museum’s discourses and update it? These two groups divide the research in fields titled Fiction the Museum and The Museum as Fiction, merging conceptually and formally in Against the Grain the pictorial installation that has always been on the horizon since the beginning of the research. In conclusion, the registration done with Artist Books is presented as a work itself. As the museum it is a document, a file and a memory of a temporary pictorial installation |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | doctoralThesis |
| fulltext.url.fl_str_mv | https://repositorio.ulisboa.pt/bitstreams/a7132fe4-7289-47d0-a3b4-6030a0a0fbcf/download |
| id | ul_eaebce7b8fd5219e8ee52d33d2b7390f |
| identifier.url.fl_str_mv | http://hdl.handle.net/10451/34113 |
| instacron_str | ul |
| institution | Universidade de Lisboa |
| instname_str | Universidade de Lisboa |
| language | por |
| network_acronym_str | ul |
| network_name_str | Repositório da Universidade de Lisboa |
| oai_identifier_str | oai:repositorio.ulisboa.pt:10451/34113 |
| organization_str_mv | urn:organizationAcronym:ul |
| person_str_mv | Macedo, Rui Alexandre, 1975- |
| publishDate | 2017 |
| reponame_str | Repositório da Universidade de Lisboa |
| repository_id_str | urn:repositoryAcronym:ul |
| service_str_mv | urn:repositoryAcronym:ul |
| spelling | porpt_PTSite-specific: Fictions of a contemporary painting program is the title of this theoretical and practical research in Fine Arts (Painting). The research is composed with eleven distinct pictorial installations that link three factors: 1) the site-specific concept applied to painting, 2) positioning / installation of the pictorial object with relevance and adequacy in a given place and 3) the museum as a reference and otherness. Painting as an artistic field delineates, informs and gives form exclusively to these installations: it is prima materia. As determined in this research, the specificity of the pictorial installation questions the multiple types of relationship that the pictorial object can raise through its positioning in several exhibition spaces with distinct architectural typologies. Painting composition agrees with the logic of placing as it gives way to pictorial elements in a formal and conceptual arrangement. The installations either takes a direct reference – in loco – to the museum, with or without its exposed collection, either suggests it from other exhibition spaces. Inside and/or outside the museum these pictorial installations convoke procedures proper to the museum: as storage, classification, cataloguing and diffusion, as a building (architectural morphology), and as a mechanism of institutionalization, a place of legitimacy of the objects displayed. The six pictorial installations that relate indirectly to the museum’s collection seek to answer the question: how can the museum be fictionalized in an exhibition outside its context, using the practice of painting? The five pictorial installations that are directly related to the museum’s collection seek to answer the question: how the site-specific installations that dialogue immediately with the exposed museum’s collection can empower the museum’s discourses and update it? These two groups divide the research in fields titled Fiction the Museum and The Museum as Fiction, merging conceptually and formally in Against the Grain the pictorial installation that has always been on the horizon since the beginning of the research. In conclusion, the registration done with Artist Books is presented as a work itself. As the museum it is a document, a file and a memory of a temporary pictorial installationimage/jpegapplication/pdfpt_PTIn Situ : ficções de um programa de Pintura contemporâneaMacedo, Rui Alexandre, 1975-Sabino, Isabel, 1955-Babo, Maria Augusta, 1954-Pereira, Fernando António Baptista, 1953-HostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:1014443112018-07-05T13:41:52Z2017-09-212018-07-052017-09-21T00:00:00ZHandlehttp://hdl.handle.net/10451/34113http://purl.org/coar/access_right/c_abf2open accessPinturaIn-SituInstalação (Arte)MuseusFicção1872059 bytes49862742 bytesliteraturehttp://purl.org/coar/resource_type/c_db06doctoral thesishttp://purl.org/coar/access_right/c_abf2image/jpegfulltexthttps://repositorio.ulisboa.pt/bitstreams/a7132fe4-7289-47d0-a3b4-6030a0a0fbcf/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/e2c67285-c039-4ad4-9aa8-4dc89fe27e00/download |
| spellingShingle | In Situ : ficções de um programa de Pintura contemporânea Macedo, Rui Alexandre, 1975- Pintura In-Situ Instalação (Arte) Museus Ficção |
| status | SINGLETON |
| subject.fl_str_mv | Pintura In-Situ Instalação (Arte) Museus Ficção |
| title | In Situ : ficções de um programa de Pintura contemporânea |
| title_full | In Situ : ficções de um programa de Pintura contemporânea |
| title_fullStr | In Situ : ficções de um programa de Pintura contemporânea |
| title_full_unstemmed | In Situ : ficções de um programa de Pintura contemporânea |
| title_short | In Situ : ficções de um programa de Pintura contemporânea |
| title_sort | In Situ : ficções de um programa de Pintura contemporânea |
| topic | Pintura In-Situ Instalação (Arte) Museus Ficção |
| topic_facet | Pintura In-Situ Instalação (Arte) Museus Ficção |
| url | http://hdl.handle.net/10451/34113 |
| visible | 1 |