Detalhes do Documento

A performance digital e a ciberperformance têm em comum o uso das tecnologias digitais, todavia, diferem em seus processos de criação e transmissão. Neste artigo, buscamos relatar um pouco sobre a evolução da performance digital à ciberperformance, bem como a sua ascensão nos últimos dois anos. O cenário pandémico intensificou a experiência da comunicação online e trouxe maior visibilidade para as práticas performativas digitais que, no campo das artes performativas, pela prerrogativa da presença física, pouco aconteciam, ou aconteciam de modo ainda muito experimental. Nesse sentido, pandemias, guerras e catástrofes podem trazer destruição em diversos níveis, mas ao mesmo tempo ser o motor para a aceleração de processos de transição e inovação. Esta revisão histórica e conceptual integra o projeto de investigação CyPeT, financiado pela FCT, que está em curso. Além de apresentar um breve enquadramento teórico sobre a performance/ ciberperformance, descreveremos alguns estudos de caso representativos das possibilidades artísticas e performativas destas manifestações digitais, de modo a dar luz a iniciativas criativas promovidas por grupos artísticos, artistas e comunidade académica no seguimento das artes performativas, tendo como eixo condutor os processos criativos, audiência, estratégias adoptadas e a perceção do potencial da internet para a performance ao vivo.

Digital performance and cyberperformance have in common the use of digital technologies, however, they differ in their creation and transmission processes. In this article, we seek to report a little about the evolution of digital performance to cyberperformance, as well as its rise in the last two years. The pandemic scenario intensified the experience of online communication and brought greater visibility to digital performing practices that, in the field of performing arts, due to the prerogative of physical presence, rarely happened, or were still very experimental. In this sense, pandemics, wars and catastrophes can bring destruction on several levels, but at the same time be the engine for accelerating transition and innovation processes. After presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations. This historical and conceptual review is part of the CyPeT research project, funded by the FCT, which is ongoing. In addition to presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations, to shed light on creative initiatives promoted by artistic groups, artists and the academic community following the performing arts, having as a guide the creative processes, audience, strategies adopted and the perception of the potential of the internet for live performance.

Digital performance and cyberperformance have in common the use of digital technologies, however, they differ in their creation and transmission processes. In this article, we seek to report a little about the evolution of digital performance to cyberperformance, as well as its rise in the last two years. The pandemic scenario intensified the experience of online communication and brought greater visibility to digital performing practices that, in the field of performing arts, due to the prerogative of physical presence, rarely happened, or were still very experimental. In this sense, pandemics, wars and catastrophes can bring destruction on several levels, but at the same time be the engine for accelerating transition and innovation processes. After presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations. This historical and conceptual review is part of the CyPeT research project, funded by the FCT, which is ongoing. In addition to presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations, to shed light on creative initiatives promoted by artistic groups, artists and the academic community following the performing arts, having as a guide the creative processes, audience, strategies adopted and the perception of the potential of the internet for live performance.

Digital performance and cyberperformance have in common the use of digital technologies, however, they differ in their creation and transmission processes. In this article, we seek to report a little about the evolution of digital performance to cyberperformance, as well as its rise in the last two years. The pandemic scenario intensified the experience of online communication and brought greater visibility to digital performing practices that, in the field of performing arts, due to the prerogative of physical presence, rarely happened, or were still very experimental. In this sense, pandemics, wars and catastrophes can bring destruction on several levels, but at the same time be the engine for accelerating transition and innovation processes. After presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations. This historical and conceptual review is part of the CyPeT research project, funded by the FCT, which is ongoing. In addition to presenting a brief theoretical framework on performance/cyberperformance, we will describe some representative case studies of the artistic and performative possibilities of these digital manifestations, to shed light on creative initiatives promoted by artistic groups, artists and the academic community following the performing arts, having as a guide the creative processes, audience, strategies adopted and the perception of the potential of the internet for live performance.