Publicação
Binding logics in art
| Resumo: | The work of art produced in its origins was only much later recognized as such. Similarly, the artistic function of current art objects in the future may become accidental again. In fact, at no time has art ever answered exclusively to aesthetic demands. From these assumptions by Walter Benjamin (1936-1939/1992), we will attempt to apply to art the concepts of “binding” (original of ethology) and of “linking networks” (used in neuroscience) to explain distinctive aspects of image metaphysics, shared by art and religion. From a historical perspective, we will attempt to show the evolution of art in three main binding logics: art as a magical activity (also in relation to index logic); art as mimesis; and art as language. The image, or rather the multiple realities we call “image”, takes each one of these links, in an exchanging or simultaneous way, since image is their heiress. Taking into account the present context of media images hypervisibility, we aim, with this study, to show the importance of art and its mythical-religious ascendance in what concerns media image redefinition. |
|---|---|
| Autores principais: | Pinto, Sílvia |
| Outros Autores: | Martins, Moisés de Lemos |
| Assunto: | Artigos Temáticos |
| Ano: | 2017 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Centro de Estudos de Comunicação e Sociedade |
| Idioma: | português |
| Origem: | Comunicação e Sociedade |
| _version_ | 1868418527656935424 |
|---|---|
| author | Pinto, Sílvia |
| author2 | Martins, Moisés de Lemos |
| author2_role | author |
| author_facet | Pinto, Sílvia Martins, Moisés de Lemos |
| author_role | author |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Pinto, Sílvia\"},{\"Person.name\":\"Martins, Moisés de Lemos\"}] |
| datacite.creators.creator.creatorName.fl_str_mv | Pinto, Sílvia Martins, Moisés de Lemos |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Artigos Temáticos |
| datacite.titles.title.fl_str_mv | Binding logics in art |
| dc.creator.none.fl_str_mv | Pinto, Sílvia Martins, Moisés de Lemos |
| dc.identifier.none.fl_str_mv | https://doi.org/10.17231/comsoc.31(2017).2617 |
| dc.language.none.fl_str_mv | por |
| dc.publisher.none.fl_str_mv | Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Artigos Temáticos |
| dc.title.fl_str_mv | Binding logics in art |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | The work of art produced in its origins was only much later recognized as such. Similarly, the artistic function of current art objects in the future may become accidental again. In fact, at no time has art ever answered exclusively to aesthetic demands. From these assumptions by Walter Benjamin (1936-1939/1992), we will attempt to apply to art the concepts of “binding” (original of ethology) and of “linking networks” (used in neuroscience) to explain distinctive aspects of image metaphysics, shared by art and religion. From a historical perspective, we will attempt to show the evolution of art in three main binding logics: art as a magical activity (also in relation to index logic); art as mimesis; and art as language. The image, or rather the multiple realities we call “image”, takes each one of these links, in an exchanging or simultaneous way, since image is their heiress. Taking into account the present context of media images hypervisibility, we aim, with this study, to show the importance of art and its mythical-religious ascendance in what concerns media image redefinition. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | article |
| id | comsoc_7360a1b8aabb4fe217dabc737fc4b03e |
| identifier.doi.fl_str_mv | https://doi.org/10.17231/comsoc.31(2017).2617 |
| instacron_str | cecs uminho |
| institution | Centro de Estudos de Comunicação e Sociedade |
| instname_str | Centro de Estudos de Comunicação e Sociedade |
| language | por |
| network_acronym_str | comsoc |
| network_name_str | Comunicação e Sociedade |
| oai_identifier_str | oai:ojs2.193.136.21.39:article/789 |
| organization_str_mv | urn:organizationAcronym:cecs uminho |
| person_str_mv | Pinto, Sílvia Martins, Moisés de Lemos |
| publishDate | 2017 |
| publisher.none.fl_str_mv | Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
| reponame_str | Comunicação e Sociedade |
| repository_id_str | urn:repositoryAcronym:comsoc |
| service_str_mv | urn:repositoryAcronym:comsoc |
| spelling | Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do MinhoptThe work of art produced in its origins was only much later recognized as such. Similarly, the artistic function of current art objects in the future may become accidental again. In fact, at no time has art ever answered exclusively to aesthetic demands. From these assumptions by Walter Benjamin (1936-1939/1992), we will attempt to apply to art the concepts of “binding” (original of ethology) and of “linking networks” (used in neuroscience) to explain distinctive aspects of image metaphysics, shared by art and religion. From a historical perspective, we will attempt to show the evolution of art in three main binding logics: art as a magical activity (also in relation to index logic); art as mimesis; and art as language. The image, or rather the multiple realities we call “image”, takes each one of these links, in an exchanging or simultaneous way, since image is their heiress. Taking into account the present context of media images hypervisibility, we aim, with this study, to show the importance of art and its mythical-religious ascendance in what concerns media image redefinition.porptBinding logics in artPinto, SílviaPintoSílviaUniversidade Lusófona do PortoMartins, Moisés de LemosMartinsMoisés de LemosCentro de Estudos de Comunicação e Sociedade, Universidade do MinhoEISSN2183-3575IsPartOfPISSN1645-2089IsPartOf2017-06-29DOIhttps://doi.org/10.17231/comsoc.31(2017).2617http://purl.org/coar/access_right/c_abf2open accessArtigos Temáticoshttp://purl.org/coar/resource_type/c_6501journal articlefulltextapplication/pdfComunicação e Sociedade31271286 |
| spellingShingle | Binding logics in art Pinto, Sílvia Artigos Temáticos |
| status | SINGLETON |
| subject.fl_str_mv | Artigos Temáticos |
| title | Binding logics in art |
| title_full | Binding logics in art |
| title_fullStr | Binding logics in art |
| title_full_unstemmed | Binding logics in art |
| title_short | Binding logics in art |
| title_sort | Binding logics in art |
| topic | Artigos Temáticos |
| topic_facet | Artigos Temáticos |
| url | https://doi.org/10.17231/comsoc.31(2017).2617 |
| visible | 1 |