Publicação
The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s
| Resumo: | The theme of the apocalyptic is often portrayed through films and literature in a pessimistic manner. The crisis of the end of the world, unsurprisingly, is culturally and societally deemed as the ultimate manifestation of catastrophe. Science fiction and experimental films have often reflected this cultural trend, depicting the end of days according to normative behaviours and reactions to death and crisis. However, the optimistic portrayal of the apocalypse is a rarely explored narrative, and its implications for the cultural approach to crisis are of critical interest to studies in culture and crisis. J.G. Ballard’s The Drowned World (1962) and Lars Von Trier’s Melancholia (2011) are two forms of art that exhibit the more positive portrayal of the crisis of apocalypse. Through their literary and visual creation of the apocalypse, they communicate an often neglected narrative of the optimistic outlook to crisis and apocalypse. This view of the ultimate crisis is, therefore, a unique and rare narrative, here explored through the protagonists of Ballard’s and Trier’s works, who invert the stereotypical and generic reception of catastrophe and crisis and instead posit a theme of the optimistic apocalypse. |
|---|---|
| Autores principais: | Lyons, Siobhan |
| Assunto: | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| Ano: | 2013 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Universidade Católica Portuguesa |
| Idioma: | inglês |
| Origem: | Diffractions |
| _version_ | 1868421891295805440 |
|---|---|
| author | Lyons, Siobhan |
| author_facet | Lyons, Siobhan |
| author_role | author |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Lyons, Siobhan\"}] |
| datacite.creators.creator.creatorName.fl_str_mv | Lyons, Siobhan |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| datacite.titles.title.fl_str_mv | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| dc.creator.none.fl_str_mv | Lyons, Siobhan |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://doi.org/10.34632/diffractions.2013.940 |
| dc.language.none.fl_str_mv | eng |
| dc.publisher.none.fl_str_mv | Universidade Católica Portuguesa |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.rights.rights.copyright.fl_str_mv | https://creativecommons.org/licenses/by/4.0 |
| dc.source.none.fl_str_mv | Diffractions; No. 1 (2013): Crisicism: The Cultural Discourse of Crisis; 1-22 Diffractions; N.º 1 (2013): Crisicism: The Cultural Discourse of Crisis; 1-22 2183-2188 10.34632/diffractions.2013.n1 |
| dc.subject.none.fl_str_mv | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| dc.title.fl_str_mv | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | The theme of the apocalyptic is often portrayed through films and literature in a pessimistic manner. The crisis of the end of the world, unsurprisingly, is culturally and societally deemed as the ultimate manifestation of catastrophe. Science fiction and experimental films have often reflected this cultural trend, depicting the end of days according to normative behaviours and reactions to death and crisis. However, the optimistic portrayal of the apocalypse is a rarely explored narrative, and its implications for the cultural approach to crisis are of critical interest to studies in culture and crisis. J.G. Ballard’s The Drowned World (1962) and Lars Von Trier’s Melancholia (2011) are two forms of art that exhibit the more positive portrayal of the crisis of apocalypse. Through their literary and visual creation of the apocalypse, they communicate an often neglected narrative of the optimistic outlook to crisis and apocalypse. This view of the ultimate crisis is, therefore, a unique and rare narrative, here explored through the protagonists of Ballard’s and Trier’s works, who invert the stereotypical and generic reception of catastrophe and crisis and instead posit a theme of the optimistic apocalypse. |
| dirty | 0 |
| eu_rights_str_mv | unknown |
| format | article |
| id | diff_1167f64f5250ffc5480dfa7c7ddc03e0 |
| identifier.doi.fl_str_mv | https://doi.org/10.34632/diffractions.2013.940 |
| instacron_str | UCP |
| institution | Universidade Católica Portuguesa |
| instname_str | Universidade Católica Portuguesa |
| language | eng |
| network_acronym_str | diff |
| network_name_str | Diffractions |
| oai_identifier_str | oai:ojs.revistas.ucp.pt:article/940 |
| organization_str_mv | urn:organizationAcronym:ucp |
| person_str_mv | Lyons, Siobhan |
| publishDate | 2013 |
| publisher.none.fl_str_mv | Universidade Católica Portuguesa |
| reponame_str | Diffractions |
| repository_id_str | urn:repositoryAcronym:diff |
| service_str_mv | urn:repositoryAcronym:diff |
| spelling | en-USThe Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’sLyons, SiobhanCrisisApocalypsePost-apocalypseJ.G. BallardThe Drowned WorldLars von TrierMelancholiaCopyright (c) 2013 Siobhan Lyonshttp://purl.org/coar/access_right/c_abf2https://doi.org/10.34632/diffractions.2013.940DOIhttps://revistas.ucp.pt/index.php/diffractions/article/view/940URLHasVersionhttps://revistas.ucp.pt/index.php/diffractions/article/view/940/864URLHasVersionhttps://doi.org/10.34632/diffractions.2013.940DOI2013-09-01en-USThe theme of the apocalyptic is often portrayed through films and literature in a pessimistic manner. The crisis of the end of the world, unsurprisingly, is culturally and societally deemed as the ultimate manifestation of catastrophe. Science fiction and experimental films have often reflected this cultural trend, depicting the end of days according to normative behaviours and reactions to death and crisis. However, the optimistic portrayal of the apocalypse is a rarely explored narrative, and its implications for the cultural approach to crisis are of critical interest to studies in culture and crisis. J.G. Ballard’s The Drowned World (1962) and Lars Von Trier’s Melancholia (2011) are two forms of art that exhibit the more positive portrayal of the crisis of apocalypse. Through their literary and visual creation of the apocalypse, they communicate an often neglected narrative of the optimistic outlook to crisis and apocalypse. This view of the ultimate crisis is, therefore, a unique and rare narrative, here explored through the protagonists of Ballard’s and Trier’s works, who invert the stereotypical and generic reception of catastrophe and crisis and instead posit a theme of the optimistic apocalypse.Universidade Católica Portuguesaapplication/pdfen-USDiffractions; No. 1 (2013): Crisicism: The Cultural Discourse of Crisis; 1-22pt-PTDiffractions; N.º 1 (2013): Crisicism: The Cultural Discourse of Crisis; 1-222183-218810.34632/diffractions.2013.n1engjournal articlehttp://purl.org/coar/resource_type/c_6501literatureVoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85https://creativecommons.org/licenses/by/4.0 |
| spellingShingle | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s Lyons, Siobhan Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| status | SINGLETON |
| status_str | VoR |
| subject.fl_str_mv | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| title | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| title_full | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| title_fullStr | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| title_full_unstemmed | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| title_short | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| title_sort | The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s |
| topic | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| topic_facet | Crisis Apocalypse Post-apocalypse J.G. Ballard The Drowned World Lars von Trier Melancholia |
| url | https://doi.org/10.34632/diffractions.2013.940 |
| visible | 1 |