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Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics

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Resumo:With the postmodernist realignment of our epistemological foundations, contemporary documentary has come to be marked by the idea that problematizing the relationship with the real is inherently good and progressive, and that the core quality of contemporary documentary has come to be its suspicion towards its own relationship to the real (Steyerl 2011; Rangan 2014; Takahashi 2015). In a time, which the assertion of the indiscernibility between fact and fiction has been appropriated by discourses of power I will argue that the facticity of reality needs our attention and care more than our suspicion. Thus, following philosophical proposals for a new empiricism (Latour 2004; Haraway 1988), and a Bazinian ontologization of cinema (Bazin 2005a, 2005b), I will argue for the persistence of observational documentary and a new critical realism set in the vein of contemporary observational documentary practises like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan (2012) and Kevin Jerome Everson’s Tonsler Park (2017).
Autores principais:Jensen, Nanna Rebekka
Assunto:Documentary theory Truth production Observational documentary New empiricism Situated knowledges Reflexivity Lens-based capture Representation
Ano:2019
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Universidade Católica Portuguesa
Idioma:inglês
Origem:Diffractions
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author Jensen, Nanna Rebekka
author_facet Jensen, Nanna Rebekka
author_role author
country_str PT
creators_json_txt [{\"Person.name\":\"Jensen, Nanna Rebekka\"}]
datacite.creators.creator.creatorName.fl_str_mv Jensen, Nanna Rebekka
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
datacite.titles.title.fl_str_mv Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
dc.creator.none.fl_str_mv Jensen, Nanna Rebekka
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv https://doi.org/10.34632/diffractions.2019.1479
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.rights.copyright.fl_str_mv https://creativecommons.org/licenses/by/4.0
dc.source.none.fl_str_mv Diffractions; No. 1 (2019): Suspicion; 01-36
Diffractions; N.º 1 (2019): Suspicion; 01-36
2183-2188
10.34632/diffractions.2019.n1
dc.subject.none.fl_str_mv Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
dc.title.fl_str_mv Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
description With the postmodernist realignment of our epistemological foundations, contemporary documentary has come to be marked by the idea that problematizing the relationship with the real is inherently good and progressive, and that the core quality of contemporary documentary has come to be its suspicion towards its own relationship to the real (Steyerl 2011; Rangan 2014; Takahashi 2015). In a time, which the assertion of the indiscernibility between fact and fiction has been appropriated by discourses of power I will argue that the facticity of reality needs our attention and care more than our suspicion. Thus, following philosophical proposals for a new empiricism (Latour 2004; Haraway 1988), and a Bazinian ontologization of cinema (Bazin 2005a, 2005b), I will argue for the persistence of observational documentary and a new critical realism set in the vein of contemporary observational documentary practises like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan (2012) and Kevin Jerome Everson’s Tonsler Park (2017).
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identifier.doi.fl_str_mv https://doi.org/10.34632/diffractions.2019.1479
instacron_str UCP
institution Universidade Católica Portuguesa
instname_str Universidade Católica Portuguesa
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oai_identifier_str oai:ojs.revistas.ucp.pt:article/1479
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person_str_mv Jensen, Nanna Rebekka
publishDate 2019
publisher.none.fl_str_mv Universidade Católica Portuguesa
reponame_str Diffractions
repository_id_str urn:repositoryAcronym:diff
service_str_mv urn:repositoryAcronym:diff
spelling en-USRehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth PoliticsJensen, Nanna RebekkaDocumentary theoryTruth productionObservational documentaryNew empiricismSituated knowledgesReflexivityLens-based captureRepresentationCopyright (c) 2019 Nanna Rebekka Jensenhttp://purl.org/coar/access_right/c_abf2https://doi.org/10.34632/diffractions.2019.1479DOIhttps://revistas.ucp.pt/index.php/diffractions/article/view/1479URLHasVersionhttps://revistas.ucp.pt/index.php/diffractions/article/view/1479/1408URLHasVersionhttps://doi.org/10.34632/diffractions.2019.1479DOI2019-10-16en-USWith the postmodernist realignment of our epistemological foundations, contemporary documentary has come to be marked by the idea that problematizing the relationship with the real is inherently good and progressive, and that the core quality of contemporary documentary has come to be its suspicion towards its own relationship to the real (Steyerl 2011; Rangan 2014; Takahashi 2015). In a time, which the assertion of the indiscernibility between fact and fiction has been appropriated by discourses of power I will argue that the facticity of reality needs our attention and care more than our suspicion. Thus, following philosophical proposals for a new empiricism (Latour 2004; Haraway 1988), and a Bazinian ontologization of cinema (Bazin 2005a, 2005b), I will argue for the persistence of observational documentary and a new critical realism set in the vein of contemporary observational documentary practises like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan (2012) and Kevin Jerome Everson’s Tonsler Park (2017).Universidade Católica Portuguesaapplication/pdfen-USDiffractions; No. 1 (2019): Suspicion; 01-36pt-PTDiffractions; N.º 1 (2019): Suspicion; 01-362183-218810.34632/diffractions.2019.n1engjournal articlehttp://purl.org/coar/resource_type/c_6501literatureVoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85https://creativecommons.org/licenses/by/4.0
spellingShingle Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
Jensen, Nanna Rebekka
Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
status SINGLETON
status_str VoR
subject.fl_str_mv Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
title Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
title_full Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
title_fullStr Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
title_full_unstemmed Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
title_short Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
title_sort Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics
topic Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
topic_facet Documentary theory
Truth production
Observational documentary
New empiricism
Situated knowledges
Reflexivity
Lens-based capture
Representation
url https://doi.org/10.34632/diffractions.2019.1479
visible 1