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"'Jaime' (1973) de António Reis"

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Resumo:Photography and the cinematographer have dominated in the twentieth century two essential aspects of the artistic apparatuses referring to two orders of enunciation (in the Foucauldian sense, also two orders of discourse): the showing and the telling. The work we have chosen to illustrate this is the Portuguese medium length film (approx. 30') Jaime. António Reis (1927-1991) filmed Jaime, in 1973, inspired on the life and work of Jaime Fernandes (1900-1969), who was hospitalized for 31 years at the Hospital Miguel Bombarda with the diagnosis of paranoid schizophrenia. In the last four years, he painted and drew a singular work in accordance to Dubuffet's canon: "the laws which govern his art are equivalent to those of children or primitive peoples." For Jaime it is not a matter of representation but of production. "He was always working", witnesses one of his companions of the Psychiatric Hospital.
Autores principais:OLIVEIRA, Miguel
Assunto:Cinema Film studies António Reis
Ano:2015
País:Portugal
Tipo de documento:capítulo de livro
Tipo de acesso:acesso aberto
Instituição associada:Escola Superior Artística do Porto
Idioma:português
Origem:Escola Superior Artística do Porto
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author OLIVEIRA, Miguel
author_facet OLIVEIRA, Miguel
author_role author
contributor_name_str_mv Repositório Comum
country_str PT
creators_json_txt [{\"Person.name\":\"OLIVEIRA, Miguel\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Repositório Comum
datacite.creators.creator.creatorName.fl_str_mv OLIVEIRA, Miguel
datacite.date.Accepted.fl_str_mv 2015-01-01T00:00:00Z
datacite.date.available.fl_str_mv 2021-08-03T11:59:41Z
datacite.date.embargoed.fl_str_mv 2021-08-03T11:59:41Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Cinema
Film studies
António Reis
datacite.titles.title.fl_str_mv "'Jaime' (1973) de António Reis"
dc.contributor.none.fl_str_mv Repositório Comum
dc.creator.none.fl_str_mv OLIVEIRA, Miguel
dc.date.Accepted.fl_str_mv 2015-01-01T00:00:00Z
dc.date.available.fl_str_mv 2021-08-03T11:59:41Z
dc.date.embargoed.fl_str_mv 2021-08-03T11:59:41Z
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10400.26/37275
dc.language.none.fl_str_mv por
dc.publisher.none.fl_str_mv CEAA/ESAP-CESAP
dc.rights.cclincense.fl_str_mv http://creativecommons.org/licenses/by/4.0/
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.subject.none.fl_str_mv Cinema
Film studies
António Reis
dc.title.fl_str_mv "'Jaime' (1973) de António Reis"
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_3248
description Photography and the cinematographer have dominated in the twentieth century two essential aspects of the artistic apparatuses referring to two orders of enunciation (in the Foucauldian sense, also two orders of discourse): the showing and the telling. The work we have chosen to illustrate this is the Portuguese medium length film (approx. 30') Jaime. António Reis (1927-1991) filmed Jaime, in 1973, inspired on the life and work of Jaime Fernandes (1900-1969), who was hospitalized for 31 years at the Hospital Miguel Bombarda with the diagnosis of paranoid schizophrenia. In the last four years, he painted and drew a singular work in accordance to Dubuffet's canon: "the laws which govern his art are equivalent to those of children or primitive peoples." For Jaime it is not a matter of representation but of production. "He was always working", witnesses one of his companions of the Psychiatric Hospital.
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person_str_mv OLIVEIRA, Miguel
publishDate 2015
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spelling porCEAA/ESAP-CESAPpt_PTPhotography and the cinematographer have dominated in the twentieth century two essential aspects of the artistic apparatuses referring to two orders of enunciation (in the Foucauldian sense, also two orders of discourse): the showing and the telling. The work we have chosen to illustrate this is the Portuguese medium length film (approx. 30') Jaime. António Reis (1927-1991) filmed Jaime, in 1973, inspired on the life and work of Jaime Fernandes (1900-1969), who was hospitalized for 31 years at the Hospital Miguel Bombarda with the diagnosis of paranoid schizophrenia. In the last four years, he painted and drew a singular work in accordance to Dubuffet's canon: "the laws which govern his art are equivalent to those of children or primitive peoples." For Jaime it is not a matter of representation but of production. "He was always working", witnesses one of his companions of the Psychiatric Hospital.application/pdfpt_PT"'Jaime' (1973) de António Reis"OLIVEIRA, MiguelHostingInstitutionOrganizationalRepositório Comume-mailmailto:comum@rcaap.ptcomum@rcaap.ptISBNIsPartOf978-972-8784-54-62021-08-03T11:59:41Z2015-012015-01-01T00:00:00ZHandlehttp://hdl.handle.net/10400.26/37275http://purl.org/coar/access_right/c_abf2open accessCinemaFilm studiesAntónio Reis79423 bytesFundação para a Ciência e a TecnologiaStrategic Project - UI 4041 - 20146817 - DCRRNI IDCrossref Funder IDhttp://doi.org/10.13039/501100001871literaturehttp://purl.org/coar/resource_type/c_3248book part2015-01http://creativecommons.org/licenses/by/4.0/http://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://comum.rcaap.pt/bitstreams/d09537f5-0b33-4960-81d3-bdd1287d5ac3/download1ª2332Porto
spellingShingle "'Jaime' (1973) de António Reis"
OLIVEIRA, Miguel
Cinema
Film studies
António Reis
status SINGLETON
subject.fl_str_mv Cinema
Film studies
António Reis
title "'Jaime' (1973) de António Reis"
title_full "'Jaime' (1973) de António Reis"
title_fullStr "'Jaime' (1973) de António Reis"
title_full_unstemmed "'Jaime' (1973) de António Reis"
title_short "'Jaime' (1973) de António Reis"
title_sort "'Jaime' (1973) de António Reis"
topic Cinema
Film studies
António Reis
topic_facet Cinema
Film studies
António Reis
url http://hdl.handle.net/10400.26/37275
visible 1