Publicação
An “expression of religious feeling”: Some notes in music repertoire
| Resumo: | The relationship between music and religion has always guided by proximity and prevalent influence. When we look through the history of music, there are many moments, composers and works where this connection takes a fundamental role. For Adorno (1982), it is critical to emphasize that the musical language constitutes by characteristics that give it a particular religiosity. Many composers treated this dialogue with great mastery and used religious themes as references for musical composition. Music is a vehicle of reproduction, symbolization and an attempt to divinity. |
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| Autores principais: | Cardoso, Mário |
| Outros Autores: | Silva, Levi Leonido |
| Assunto: | Music Music Repertoire Music Composition Research Subject Categories::SOCIAL SCIENCES::Social sciences::Education |
| Ano: | 2020 |
| País: | Portugal |
| Tipo de documento: | capítulo de livro |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Instituto Politécnico de Bragança |
| Idioma: | inglês |
| Origem: | Biblioteca Digital do IPB |
| Resumo: | The relationship between music and religion has always guided by proximity and prevalent influence. When we look through the history of music, there are many moments, composers and works where this connection takes a fundamental role. For Adorno (1982), it is critical to emphasize that the musical language constitutes by characteristics that give it a particular religiosity. Many composers treated this dialogue with great mastery and used religious themes as references for musical composition. Music is a vehicle of reproduction, symbolization and an attempt to divinity. |
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