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Maria Sara as a relevant character: figuration of a new feminine by José Saramago in the portuguese novel

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Detalhes bibliográficos
Resumo:This essay aims to analyse the Saramago’s feminine character Maria Sara of The History of the Siege of Lisbon (1989), showing how the writer represents the woman in the Portuguese literature in a different way, comparing with old fictional modes connected to female domesticity ideology. The study intents demonstrate the construction of this new fictional feminine figuration analyzing narrative categories as character and space in correlation. It emphasizes the love relationship between Maria Sara and Raimundo Silva, demonstrating how Saramago literary deconstructs the Portuguese patriarchy that was described in Cartilha do marialva ou das negações libertinas (1967) by José Cardoso Pires. The article shows that Saramago’s feminine characters have a strong potential of humanity and complexity.
Autores principais:de Lima Girola, Maristela Kirst
Assunto:José Saramago The History of the Siege of Lisbon character portuguese patriarchy José Saramago História do cerco de Lisboa personagem marialvismo
Ano:2022
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Imprensa da Universidade de Coimbra
Idioma:português
Origem:Revista de Estudos Literários
Descrição
Resumo:This essay aims to analyse the Saramago’s feminine character Maria Sara of The History of the Siege of Lisbon (1989), showing how the writer represents the woman in the Portuguese literature in a different way, comparing with old fictional modes connected to female domesticity ideology. The study intents demonstrate the construction of this new fictional feminine figuration analyzing narrative categories as character and space in correlation. It emphasizes the love relationship between Maria Sara and Raimundo Silva, demonstrating how Saramago literary deconstructs the Portuguese patriarchy that was described in Cartilha do marialva ou das negações libertinas (1967) by José Cardoso Pires. The article shows that Saramago’s feminine characters have a strong potential of humanity and complexity.