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Post-memory and politics of affections: the Marcha del Silêncio as cultural politics

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Resumo:The present historic reflection refers to a political and cultural phenomenon of social mobilization that allows activating two important analytical notions for the current debate in studies on memory and culture: the notion of post-memory and the politics of affections. In what sense does the Marcha del Silencio allow it to be understood as a political and social phenomenon of the post-memory of generations of Uruguayans involved in the events of the civic-military dictatorship of the 1970s and 1980s in the country? It is considered that this mobilization is a contemporary example of a cultural production based on a policy of affections, strategy and identification that makes use of "feeling affected", "implicated", of what allows to unify, articulate and build a mobilization presented as a cultural event, and which allows to transcend the political limits that gave rise to it.
Autores principais:Gadea, Carlos A.
Assunto:Postmemory Marcha del Silencio Uruguay Policy of Affections Pós-memoria Marcha del Silencio Uruguai Política dos Afetos
Ano:2022
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Imprensa da Universidade de Coimbra
Idioma:português
Origem:Revista de História da Sociedade e da Cultura
Descrição
Resumo:The present historic reflection refers to a political and cultural phenomenon of social mobilization that allows activating two important analytical notions for the current debate in studies on memory and culture: the notion of post-memory and the politics of affections. In what sense does the Marcha del Silencio allow it to be understood as a political and social phenomenon of the post-memory of generations of Uruguayans involved in the events of the civic-military dictatorship of the 1970s and 1980s in the country? It is considered that this mobilization is a contemporary example of a cultural production based on a policy of affections, strategy and identification that makes use of "feeling affected", "implicated", of what allows to unify, articulate and build a mobilization presented as a cultural event, and which allows to transcend the political limits that gave rise to it.