Publicação
Jazz music as a political message
| Resumo: | Music incorporates multiple meanings shaped by the principles that regulate musical concepts, processes and products. Over the years, jazz music has carried numerous "messages" containing many attitudes and principles, playing a crucial role as an instrument of dissemination of political viewpoints. According to writer Amiri Bataka, it is a music that, in its most profound manifestations, has been completely divergent with North American white cultural standards'. In fact, some of jazz's most prominent personalities in the fifties and sixties, like Charles Mingus, Max Roach, Miles Davis, Sonny Rollins, or John Coltrane, were very active in terms of associating jazz music with personal standpoints of disagreement, first, with the way the music industry was operating (dominated by European-Americans in charge of criticizing, writing, editing, promoting, analyzing, recording, and distributing the music), and second, with the white supremacy that prevailed in the United States and the colonial world. |
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| Autores principais: | Pinheiro, Ricardo |
| Assunto: | Politics Jazz Protest Freedom Activism |
| Ano: | 2014 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Instituto Politécnico de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório Científico do Instituto Politécnico de Lisboa |
| Resumo: | Music incorporates multiple meanings shaped by the principles that regulate musical concepts, processes and products. Over the years, jazz music has carried numerous "messages" containing many attitudes and principles, playing a crucial role as an instrument of dissemination of political viewpoints. According to writer Amiri Bataka, it is a music that, in its most profound manifestations, has been completely divergent with North American white cultural standards'. In fact, some of jazz's most prominent personalities in the fifties and sixties, like Charles Mingus, Max Roach, Miles Davis, Sonny Rollins, or John Coltrane, were very active in terms of associating jazz music with personal standpoints of disagreement, first, with the way the music industry was operating (dominated by European-Americans in charge of criticizing, writing, editing, promoting, analyzing, recording, and distributing the music), and second, with the white supremacy that prevailed in the United States and the colonial world. |
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