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Remoteness: Robin Hood Gardens

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Resumo:Remoteness commonly means the distance between things, either in space or in time. What distance is this? Distance is the length between two points, which is a quantitative feature, an in-between measurement. For example, in ordinary discourse we refer to remote places as distant places, the ones from which we feel physically or temporarily distant, the ones we don’t see, the ones that are somehow untouchable. Is this in-between only a linear measurement? In order to unfold this question, the present paper selects Robin Hood Gardens (RHG), a residential project in Poplar, London, designed by the architects Alison and Peter Smithson in the late 1960s and built in 1972. This case study is explored through two in-betweens: in-between Here and There and in-between Now and Then. “Here and There” discloses the relationship between one’s body and place. It focuses on becoming closer to or distant from Robin Hood Gardens; asking underlies our feelings of remoteness. We ask: why do we (not) get closer, why do we (not) approach? “Now and Then” presents the relationship between one’s body and time-space. It focuses on the feeling of remoteness in travelling across the space and moving back and forth in time. We ask: why do we (not) traverse between spaces and between the future and past in Robin Hood Gardens?
Autores principais:Silva, Cidália Maria Ferreira
Outros Autores:Ferreira, Fernando
Assunto:Remoteness Robin Hood Gardens Urban Regeneration Relationship between Body and Time-Space Humanidades::Artes
Ano:2016
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso restrito
Instituição associada:Universidade do Minho
Idioma:inglês
Origem:RepositóriUM - Universidade do Minho
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author Silva, Cidália Maria Ferreira
author2 Ferreira, Fernando
author2_role author
author_facet Silva, Cidália Maria Ferreira
Ferreira, Fernando
author_role author
contributor_name_str_mv RepositóriUM - Universidade do Minho
country_str PT
creators_json_txt [{\"Person.name\":\"Silva, Cidália Maria Ferreira\"},{\"Person.name\":\"Ferreira, Fernando\"}]
datacite.contributors.contributor.contributorName.fl_str_mv RepositóriUM - Universidade do Minho
datacite.creators.creator.creatorName.fl_str_mv Silva, Cidália Maria Ferreira
Ferreira, Fernando
datacite.date.Accepted.fl_str_mv 2016-01-01T00:00:00Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_16ec
datacite.subjects.subject.fl_str_mv Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
Humanidades::Artes
datacite.titles.title.fl_str_mv Remoteness: Robin Hood Gardens
dc.contributor.none.fl_str_mv RepositóriUM - Universidade do Minho
dc.creator.none.fl_str_mv Silva, Cidália Maria Ferreira
Ferreira, Fernando
dc.date.Accepted.fl_str_mv 2016-01-01T00:00:00Z
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv https://hdl.handle.net/1822/48345
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv Common Ground Publishing
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_16ec
dc.subject.none.fl_str_mv Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
Humanidades::Artes
dc.title.fl_str_mv Remoteness: Robin Hood Gardens
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
description Remoteness commonly means the distance between things, either in space or in time. What distance is this? Distance is the length between two points, which is a quantitative feature, an in-between measurement. For example, in ordinary discourse we refer to remote places as distant places, the ones from which we feel physically or temporarily distant, the ones we don’t see, the ones that are somehow untouchable. Is this in-between only a linear measurement? In order to unfold this question, the present paper selects Robin Hood Gardens (RHG), a residential project in Poplar, London, designed by the architects Alison and Peter Smithson in the late 1960s and built in 1972. This case study is explored through two in-betweens: in-between Here and There and in-between Now and Then. “Here and There” discloses the relationship between one’s body and place. It focuses on becoming closer to or distant from Robin Hood Gardens; asking underlies our feelings of remoteness. We ask: why do we (not) get closer, why do we (not) approach? “Now and Then” presents the relationship between one’s body and time-space. It focuses on the feeling of remoteness in travelling across the space and moving back and forth in time. We ask: why do we (not) traverse between spaces and between the future and past in Robin Hood Gardens?
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eu_rights_str_mv restrictedAccess
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language eng
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organization_str_mv urn:organizationAcronym:repositorium
person_str_mv Silva, Cidália Maria Ferreira
Ferreira, Fernando
publishDate 2016
publisher.none.fl_str_mv Common Ground Publishing
reponame_str RepositóriUM - Universidade do Minho
repository_id_str urn:repositoryAcronym:rum
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spelling engCommon Ground PublishingporRemoteness commonly means the distance between things, either in space or in time. What distance is this? Distance is the length between two points, which is a quantitative feature, an in-between measurement. For example, in ordinary discourse we refer to remote places as distant places, the ones from which we feel physically or temporarily distant, the ones we don’t see, the ones that are somehow untouchable. Is this in-between only a linear measurement? In order to unfold this question, the present paper selects Robin Hood Gardens (RHG), a residential project in Poplar, London, designed by the architects Alison and Peter Smithson in the late 1960s and built in 1972. This case study is explored through two in-betweens: in-between Here and There and in-between Now and Then. “Here and There” discloses the relationship between one’s body and place. It focuses on becoming closer to or distant from Robin Hood Gardens; asking underlies our feelings of remoteness. We ask: why do we (not) get closer, why do we (not) approach? “Now and Then” presents the relationship between one’s body and time-space. It focuses on the feeling of remoteness in travelling across the space and moving back and forth in time. We ask: why do we (not) traverse between spaces and between the future and past in Robin Hood Gardens?application/pdfporRemoteness: Robin Hood GardensSilva, Cidália Maria FerreiraFerreira, FernandoHostingInstitutionOrganizationalRepositóriUM - Universidade do Minhoe-mailmailto:repositorium@usdb.uminho.ptrepositorium@usdb.uminho.ptCITATIONSilva, Cidália Ferreira & Ferreira, Fernando, "Remoteness: Robin Hood Gardens", The International Journal of the Constructed Environment, Volume 7, Issue 4, December 2016, pp.39-49. Published online: June 20, 2016.ISSNIsPartOf2154-8587EISSNIsPartOf2154-859520162016-01-01T00:00:00ZHandlehttps://hdl.handle.net/1822/48345http://purl.org/coar/access_right/c_16ecrestricted accessRemotenessRobin Hood GardensUrban RegenerationRelationship between Body and Time-Spacehttp://www.oecd.org/science/inno/38235147.pdfFields of Science and Technology (FOS)Humanidades::Artes1295322 bytesliteraturehttp://purl.org/coar/resource_type/c_6501journal articlehttp://purl.org/coar/access_right/c_16ecapplication/pdffulltexthttps://repositorium.uminho.pt/bitstreams/2415e820-2fcf-480b-adb5-8f7d2e322bdc/download
spellingShingle Remoteness: Robin Hood Gardens
Silva, Cidália Maria Ferreira
Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
Humanidades::Artes
status SINGLETON
subject.fl_str_mv Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
subject.other.fl_str_mv Humanidades::Artes
title Remoteness: Robin Hood Gardens
title_full Remoteness: Robin Hood Gardens
title_fullStr Remoteness: Robin Hood Gardens
title_full_unstemmed Remoteness: Robin Hood Gardens
title_short Remoteness: Robin Hood Gardens
title_sort Remoteness: Robin Hood Gardens
topic Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
Humanidades::Artes
topic_facet Remoteness
Robin Hood Gardens
Urban Regeneration
Relationship between Body and Time-Space
Humanidades::Artes
url https://hdl.handle.net/1822/48345
visible 1