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Amplifying reality through Quadratura. Contrappunto among corporeal and visual space

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Resumo:Portuguese spatial production, between 17th to 18th centuries, experienced a renewal through a new feature of spatial research, the quadratura painting. Intended as action, the contrappunto among Architecture and Quadratura intertwines corporeal space (built) and visual space (represented) creating an apparent reality based upon the power of perspective. The employment of perspective rules and procedures into space illusion raised quadratura to the condition of architectural instrument overcoming tectonic constraints. By intertwining two-dimensional images and three-dimensional reality, we witness the triumph of the perspective induction over the built space. A metamorphosis of appearances in which the projected image becomes a structural fact, transforming the perception and reasoning of the tectonic truth. Approaching the Portuguese baroque, this new spatial achievement was introduced by the Italian authors Bacherelli and Nasoni. A path, integrating optical phenomena upon spatial configuration, followed by Portuguese authors whose quadratura works are judged through their capacity of blending strategies from the constructive experience with the potentialities of the pictorial essay.
Autores principais:Cabeleira, João
Assunto:Baroque Architecture Quadratura painting Perspective Illusory space Humanidades::Artes
Ano:2016
País:Portugal
Tipo de documento:capítulo de livro
Tipo de acesso:acesso restrito
Instituição associada:Universidade do Minho
Idioma:inglês
Origem:RepositóriUM - Universidade do Minho
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author Cabeleira, João
author_facet Cabeleira, João
author_role author
contributor_name_str_mv RepositóriUM - Universidade do Minho
country_str PT
creators_json_txt [{\"Person.name\":\"Cabeleira, João\"}]
datacite.contributors.contributor.contributorName.fl_str_mv RepositóriUM - Universidade do Minho
datacite.creators.creator.creatorName.fl_str_mv Cabeleira, João
datacite.date.Accepted.fl_str_mv 2016-11-01T00:00:00Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_16ec
datacite.subjects.subject.fl_str_mv Baroque Architecture
Quadratura painting
Perspective
Illusory space
Humanidades::Artes
datacite.titles.title.fl_str_mv Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
dc.contributor.none.fl_str_mv RepositóriUM - Universidade do Minho
dc.creator.none.fl_str_mv Cabeleira, João
dc.date.Accepted.fl_str_mv 2016-11-01T00:00:00Z
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv https://hdl.handle.net/1822/49216
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv CRC Press/Balkema
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_16ec
dc.subject.none.fl_str_mv Baroque Architecture
Quadratura painting
Perspective
Illusory space
Humanidades::Artes
dc.title.fl_str_mv Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_3248
description Portuguese spatial production, between 17th to 18th centuries, experienced a renewal through a new feature of spatial research, the quadratura painting. Intended as action, the contrappunto among Architecture and Quadratura intertwines corporeal space (built) and visual space (represented) creating an apparent reality based upon the power of perspective. The employment of perspective rules and procedures into space illusion raised quadratura to the condition of architectural instrument overcoming tectonic constraints. By intertwining two-dimensional images and three-dimensional reality, we witness the triumph of the perspective induction over the built space. A metamorphosis of appearances in which the projected image becomes a structural fact, transforming the perception and reasoning of the tectonic truth. Approaching the Portuguese baroque, this new spatial achievement was introduced by the Italian authors Bacherelli and Nasoni. A path, integrating optical phenomena upon spatial configuration, followed by Portuguese authors whose quadratura works are judged through their capacity of blending strategies from the constructive experience with the potentialities of the pictorial essay.
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id rum_e417facbc61347eb5bf43c4fa95c1d72
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instname_str Universidade do Minho
language eng
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person_str_mv Cabeleira, João
publishDate 2016
publisher.none.fl_str_mv CRC Press/Balkema
reponame_str RepositóriUM - Universidade do Minho
repository_id_str urn:repositoryAcronym:rum
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spelling engCRC Press/BalkemaporPortuguese spatial production, between 17th to 18th centuries, experienced a renewal through a new feature of spatial research, the quadratura painting. Intended as action, the contrappunto among Architecture and Quadratura intertwines corporeal space (built) and visual space (represented) creating an apparent reality based upon the power of perspective. The employment of perspective rules and procedures into space illusion raised quadratura to the condition of architectural instrument overcoming tectonic constraints. By intertwining two-dimensional images and three-dimensional reality, we witness the triumph of the perspective induction over the built space. A metamorphosis of appearances in which the projected image becomes a structural fact, transforming the perception and reasoning of the tectonic truth. Approaching the Portuguese baroque, this new spatial achievement was introduced by the Italian authors Bacherelli and Nasoni. A path, integrating optical phenomena upon spatial configuration, followed by Portuguese authors whose quadratura works are judged through their capacity of blending strategies from the constructive experience with the potentialities of the pictorial essay.application/pdfporAmplifying reality through Quadratura. Contrappunto among corporeal and visual spaceCabeleira, JoãoHostingInstitutionOrganizationalRepositóriUM - Universidade do Minhoe-mailmailto:repositorium@usdb.uminho.ptrepositorium@usdb.uminho.ptISBNIsPartOf978-1-138-19748-0EISBNIsPartOf978-1-315-26532-22016-112016-11-01T00:00:00ZHandlehttps://hdl.handle.net/1822/49216http://purl.org/coar/access_right/c_16ecrestricted accessBaroque ArchitectureQuadratura paintingPerspectiveIllusory spacehttp://www.oecd.org/science/inno/38235147.pdfFields of Science and Technology (FOS)Humanidades::Artes395334 bytesliteraturehttp://purl.org/coar/resource_type/c_3248book parthttp://purl.org/coar/access_right/c_16ecapplication/pdffulltexthttps://repositorium.uminho.pt/bitstreams/6c172abb-7fef-40db-8375-186708b74aea/download
spellingShingle Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
Cabeleira, João
Baroque Architecture
Quadratura painting
Perspective
Illusory space
Humanidades::Artes
status SINGLETON
subject.fl_str_mv Baroque Architecture
Quadratura painting
Perspective
Illusory space
subject.other.fl_str_mv Humanidades::Artes
title Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
title_full Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
title_fullStr Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
title_full_unstemmed Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
title_short Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
title_sort Amplifying reality through Quadratura. Contrappunto among corporeal and visual space
topic Baroque Architecture
Quadratura painting
Perspective
Illusory space
Humanidades::Artes
topic_facet Baroque Architecture
Quadratura painting
Perspective
Illusory space
Humanidades::Artes
url https://hdl.handle.net/1822/49216
visible 1