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Do Chefe Incontestado ao Chefe Panóptico

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Bibliographic Details
Summary:This article aims to analyze the photographic images of Oliveira Salazar in Século Ilustrado, from its foundation in 1938 by Leitão de Barros, until the end of the 2nd World War. As a starting point, we took a previous essay on the construction of the leader’s image in Notícias Ilustrado (1928-1935) and a similar methodology was adopted. In the research process, all photographic images referring to the dictator Salazar until 1945 were surveyed, submitting the most important – covers, back covers and photo – to a semiotic analysis that sought to verify the adequacy of the dictator’s representations to the political circumstances of his regime. At the same time, we tried to interpret through printed photography and in graphic decisions of the two magazines Salazar’s promotion and how his propaganda will change from dictator and “unchallenged Leader” of government into a “Panoptic Leader”. The representation of Salazar in the Século Ilustrado magazine coincides with the one that takes place in the public space.
Main Authors:Cintra Torres, Eduardo
Other Authors:Serra, Filomena
Subject:Printed photography Censorship Press Salazar Salazarism Fotografia impressa Censura Imprensa Salazarismo
Year:2019
Country:Portugal
Document type:article
Access type:open access
Associated institution:Universidade Nova de Lisboa
Language:Portuguese
Origin:Repositório Institucional da UNL
Description
Summary:This article aims to analyze the photographic images of Oliveira Salazar in Século Ilustrado, from its foundation in 1938 by Leitão de Barros, until the end of the 2nd World War. As a starting point, we took a previous essay on the construction of the leader’s image in Notícias Ilustrado (1928-1935) and a similar methodology was adopted. In the research process, all photographic images referring to the dictator Salazar until 1945 were surveyed, submitting the most important – covers, back covers and photo – to a semiotic analysis that sought to verify the adequacy of the dictator’s representations to the political circumstances of his regime. At the same time, we tried to interpret through printed photography and in graphic decisions of the two magazines Salazar’s promotion and how his propaganda will change from dictator and “unchallenged Leader” of government into a “Panoptic Leader”. The representation of Salazar in the Século Ilustrado magazine coincides with the one that takes place in the public space.