Publicação
The publication as evocation: exhibition histories’ printed matter
| Resumo: | This article looks at three case studies to probe into the fruitful relation between art exhibitions and the publications that follow from them. Phaidon’s Exhibitions That Made Art History are examples of the weightiness of exhibitions’ reception, and useful to analyse the ploys with which exhibition histories impact the construction of art histories. A couple of Mousse magazine issues help to expand the possibilities of documentation, criticise the reliance on images and ponder if rhizomatic histories can be woven from a plurality of voices. The exhibition catalogue of When Attitudes Become Form (2013) serves to unpack exhibitions’ “aura” and the possibility of thinking beyond their (un)repeatability. Following the idea that publications cannot be regarded as neutral evocations of exhibitions, the article traces the ways in which these two platforms of display intertwine to create exhibition histories. |
|---|---|
| Autores principais: | Imizcoz, Catalina |
| Assunto: | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade Nova de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório Institucional da UNL |
| _version_ | 1868983326077878272 |
|---|---|
| author | Imizcoz, Catalina |
| author_facet | Imizcoz, Catalina |
| author_role | author |
| contributor_name_str_mv | RUN |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Imizcoz, Catalina\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | RUN |
| datacite.creators.creator.creatorName.fl_str_mv | Imizcoz, Catalina |
| datacite.date.Accepted.fl_str_mv | 2019-01-01T00:00:00Z |
| datacite.date.available.fl_str_mv | 2021-04-30T11:38:00Z |
| datacite.date.embargoed.fl_str_mv | 2021-04-30T11:38:00Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| datacite.titles.title.fl_str_mv | The publication as evocation: exhibition histories’ printed matter |
| dc.contributor.none.fl_str_mv | RUN |
| dc.creator.none.fl_str_mv | Imizcoz, Catalina |
| dc.date.Accepted.fl_str_mv | 2019-01-01T00:00:00Z |
| dc.date.available.fl_str_mv | 2021-04-30T11:38:00Z |
| dc.date.embargoed.fl_str_mv | 2021-04-30T11:38:00Z |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10362/116433 |
| dc.language.none.fl_str_mv | eng |
| dc.publisher.none.fl_str_mv | Instituto de História da Arte |
| dc.rights.cclincense.fl_str_mv | http://creativecommons.org/licenses/by/4.0/ |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| dc.title.fl_str_mv | The publication as evocation: exhibition histories’ printed matter |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | This article looks at three case studies to probe into the fruitful relation between art exhibitions and the publications that follow from them. Phaidon’s Exhibitions That Made Art History are examples of the weightiness of exhibitions’ reception, and useful to analyse the ploys with which exhibition histories impact the construction of art histories. A couple of Mousse magazine issues help to expand the possibilities of documentation, criticise the reliance on images and ponder if rhizomatic histories can be woven from a plurality of voices. The exhibition catalogue of When Attitudes Become Form (2013) serves to unpack exhibitions’ “aura” and the possibility of thinking beyond their (un)repeatability. Following the idea that publications cannot be regarded as neutral evocations of exhibitions, the article traces the ways in which these two platforms of display intertwine to create exhibition histories. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | article |
| fulltext.url.fl_str_mv | https://run.unl.pt/bitstreams/acf4268a-a710-465f-9fa8-753ec3fdc5e4/download |
| id | run_366ed8b3fa37750cbd11ca3abe62a326 |
| identifier.url.fl_str_mv | http://hdl.handle.net/10362/116433 |
| inst_facet_str | urn:organizationAcronym:unl{{{_:::_}}}Universidade Nova de Lisboa |
| instacron_str | unl |
| institution | Universidade Nova de Lisboa |
| instname_str | Universidade Nova de Lisboa |
| language | eng |
| network_acronym_str | run |
| network_name_str | Repositório Institucional da UNL |
| oai_identifier_str | oai:run.unl.pt:10362/116433 |
| organization_str_mv | urn:organizationAcronym:unl |
| person_str_mv | Imizcoz, Catalina |
| publishDate | 2019 |
| publisher.none.fl_str_mv | Instituto de História da Arte |
| repo_facet_str | urn:repositoryAcronym:run{{{_:::_}}}Repositório Institucional da UNL |
| reponame_str | Repositório Institucional da UNL |
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| spelling | engInstituto de História da Artept_PTThis article looks at three case studies to probe into the fruitful relation between art exhibitions and the publications that follow from them. Phaidon’s Exhibitions That Made Art History are examples of the weightiness of exhibitions’ reception, and useful to analyse the ploys with which exhibition histories impact the construction of art histories. A couple of Mousse magazine issues help to expand the possibilities of documentation, criticise the reliance on images and ponder if rhizomatic histories can be woven from a plurality of voices. The exhibition catalogue of When Attitudes Become Form (2013) serves to unpack exhibitions’ “aura” and the possibility of thinking beyond their (un)repeatability. Following the idea that publications cannot be regarded as neutral evocations of exhibitions, the article traces the ways in which these two platforms of display intertwine to create exhibition histories.application/pdfpt_PTThe publication as evocation: exhibition histories’ printed matterImizcoz, CatalinaHostingInstitutionOrganizationalRUNe-mailmailto:run@unl.ptrun@unl.ptISSNIsPartOf1646-17622021-04-30T11:38:00Z20192019-01-01T00:00:00ZHandlehttp://hdl.handle.net/10362/116433http://purl.org/coar/access_right/c_abf2open accessExhibition studiesPublicationsEditorialPolyphonyDocumentationEstudos de exposiçãoPublicaçõesEdiçãoPolifonia documentação1544624 bytesliteraturehttp://purl.org/coar/resource_type/c_6501journal article2019http://creativecommons.org/licenses/by/4.0/http://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://run.unl.pt/bitstreams/acf4268a-a710-465f-9fa8-753ec3fdc5e4/downloadRevista de História da Arte147891Lisboa |
| spellingShingle | The publication as evocation: exhibition histories’ printed matter Imizcoz, Catalina Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| status | SINGLETON |
| subject.fl_str_mv | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| title | The publication as evocation: exhibition histories’ printed matter |
| title_full | The publication as evocation: exhibition histories’ printed matter |
| title_fullStr | The publication as evocation: exhibition histories’ printed matter |
| title_full_unstemmed | The publication as evocation: exhibition histories’ printed matter |
| title_short | The publication as evocation: exhibition histories’ printed matter |
| title_sort | The publication as evocation: exhibition histories’ printed matter |
| topic | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| topic_facet | Exhibition studies Publications Editorial Polyphony Documentation Estudos de exposição Publicações Edição Polifonia documentação |
| url | http://hdl.handle.net/10362/116433 |
| visible | 1 |