Publicação
Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism
| Resumo: | The first conflict on a world-wide scale broke out just as the Modernist Movement in Portugal was taking its first steps. Britain’s resistance towards Portuguese participation in the War, and the exacerbated positions of those in favour and those against it, were reflected in both illustrations and articles published in the periodical press of the day, as well as in later accounts written by the members of the Portuguese Expeditionary Force (CEP). In certain cases, these written and visual narratives deconstructed stereotypes, whilst in others new cultural imagotypes of British allies were created. This article attempts to compare and contrast such deconstructions appearing in memoirs, with visual perceptions and written impressions of the conflict, published in the periodicals of the time. For the purpose of this paper, two, amongst them, have been selected: A Águia, in which Fernando Pessoa made his literary debut and to which several of the collaborators of Orpheu, the emblematic journal of Portuguese Modernism, also contributed; and Ilustração Portugueza, an important record of Portuguese life in the first quarter of the twentieth century, in which Stuart Carvalhais was one of most distinguished contributors |
|---|---|
| Autores principais: | Terenas, Gabriela Gândara |
| Assunto: | SDG 16 - Peace, Justice and Strong Institutions |
| Ano: | 2024 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade Nova de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório Institucional da UNL |
| _version_ | 1868414997106786304 |
|---|---|
| author | Terenas, Gabriela Gândara |
| author_facet | Terenas, Gabriela Gândara |
| author_role | author |
| contributor_name_str_mv | Centro de Estudos Ingleses de Tradução e Anglo-portugueses (CETAPS) Secção de Estudos Ingleses e Norte-Americanos (SEINA) CETAPS RUN |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Terenas, Gabriela Gândara\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Centro de Estudos Ingleses de Tradução e Anglo-portugueses (CETAPS) Secção de Estudos Ingleses e Norte-Americanos (SEINA) CETAPS RUN |
| datacite.creators.creator.creatorName.fl_str_mv | Terenas, Gabriela Gândara |
| datacite.date.Accepted.fl_str_mv | 2024-01-01T00:00:00Z |
| datacite.date.available.fl_str_mv | 2025-02-28T23:02:05Z |
| datacite.date.embargoed.fl_str_mv | 2025-02-28T23:02:05Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | SDG 16 - Peace, Justice and Strong Institutions |
| datacite.titles.title.fl_str_mv | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism Anglo-Portuguese Military Intervention |
| dc.contributor.none.fl_str_mv | Centro de Estudos Ingleses de Tradução e Anglo-portugueses (CETAPS) Secção de Estudos Ingleses e Norte-Americanos (SEINA) CETAPS RUN |
| dc.creator.none.fl_str_mv | Terenas, Gabriela Gândara |
| dc.date.Accepted.fl_str_mv | 2024-01-01T00:00:00Z |
| dc.date.available.fl_str_mv | 2025-02-28T23:02:05Z |
| dc.date.embargoed.fl_str_mv | 2025-02-28T23:02:05Z |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10362/180017 |
| dc.language.none.fl_str_mv | eng |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | SDG 16 - Peace, Justice and Strong Institutions |
| dc.title.fl_str_mv | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism Anglo-Portuguese Military Intervention |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | The first conflict on a world-wide scale broke out just as the Modernist Movement in Portugal was taking its first steps. Britain’s resistance towards Portuguese participation in the War, and the exacerbated positions of those in favour and those against it, were reflected in both illustrations and articles published in the periodical press of the day, as well as in later accounts written by the members of the Portuguese Expeditionary Force (CEP). In certain cases, these written and visual narratives deconstructed stereotypes, whilst in others new cultural imagotypes of British allies were created. This article attempts to compare and contrast such deconstructions appearing in memoirs, with visual perceptions and written impressions of the conflict, published in the periodicals of the time. For the purpose of this paper, two, amongst them, have been selected: A Águia, in which Fernando Pessoa made his literary debut and to which several of the collaborators of Orpheu, the emblematic journal of Portuguese Modernism, also contributed; and Ilustração Portugueza, an important record of Portuguese life in the first quarter of the twentieth century, in which Stuart Carvalhais was one of most distinguished contributors |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | article |
| fulltext.url.fl_str_mv | https://run.unl.pt/bitstreams/951b48fb-e6d1-42a2-91ae-8c8964444ad1/download |
| funding.funder.alternateName_str_mv | FCT FCT |
| funding.funder.identifier_str_mv | http://doi.org/10.13039/501100001871 http://doi.org/10.13039/501100001871 |
| funding.funder.name_str_mv | Fundação para a Ciência e a Tecnologia Fundação para a Ciência e a Tecnologia |
| funding.name_str_mv | 6817 - DCRRNI ID 6817 - DCRRNI ID |
| id | run_37d189cec8e376f5fffbcd4e48304e77 |
| identifier.url.fl_str_mv | http://hdl.handle.net/10362/180017 |
| instacron_str | unl |
| institution | Universidade Nova de Lisboa |
| instname_str | Universidade Nova de Lisboa |
| language | eng |
| network_acronym_str | run |
| network_name_str | Repositório Institucional da UNL |
| oai_identifier_str | oai:run.unl.pt:10362/180017 |
| organization_str_mv | urn:organizationAcronym:unl |
| person_str_mv | Terenas, Gabriela Gândara |
| publishDate | 2024 |
| reponame_str | Repositório Institucional da UNL |
| repository_id_str | urn:repositoryAcronym:run |
| service_str_mv | urn:repositoryAcronym:run |
| spelling | engenThe first conflict on a world-wide scale broke out just as the Modernist Movement in Portugal was taking its first steps. Britain’s resistance towards Portuguese participation in the War, and the exacerbated positions of those in favour and those against it, were reflected in both illustrations and articles published in the periodical press of the day, as well as in later accounts written by the members of the Portuguese Expeditionary Force (CEP). In certain cases, these written and visual narratives deconstructed stereotypes, whilst in others new cultural imagotypes of British allies were created. This article attempts to compare and contrast such deconstructions appearing in memoirs, with visual perceptions and written impressions of the conflict, published in the periodicals of the time. For the purpose of this paper, two, amongst them, have been selected: A Águia, in which Fernando Pessoa made his literary debut and to which several of the collaborators of Orpheu, the emblematic journal of Portuguese Modernism, also contributed; and Ilustração Portugueza, an important record of Portuguese life in the first quarter of the twentieth century, in which Stuart Carvalhais was one of most distinguished contributorsapplication/pdfenVisual Perceptions and Written Impressions of the First World War at the Time of Portuguese ModernismSubtitleenAnglo-Portuguese Military InterventionTerenas, Gabriela GândaraCentro de Estudos Ingleses de Tradução e Anglo-portugueses (CETAPS)Secção de Estudos Ingleses e Norte-Americanos (SEINA)CETAPSHostingInstitutionOrganizationalRUNe-mailmailto:run@unl.ptrun@unl.ptISSNIsPartOf0871-682XURNIsPartOfPURE: 111712552URNIsPartOfPURE UUID: 8d8052e0-fbc5-45f6-9d83-f37424ffb673URNIsPartOfScopus: 85217221881DOIIsPartOf10.34619/nfm1-0qhp2025-02-28T23:02:05Z20242024-01-01T00:00:00ZHandlehttp://hdl.handle.net/10362/180017http://purl.org/coar/access_right/c_abf2open accessSDG 16 - Peace, Justice and Strong Institutions4526431 bytesFundação para a Ciência e a TecnologiaCentre for English, Translation, and Anglo-Portuguese Studies6817 - DCRRNI IDCrossref Funder IDhttp://doi.org/10.13039/501100001871Fundação para a Ciência e a TecnologiaCentre for English, Translation, and Anglo-Portuguese Studies6817 - DCRRNI IDCrossref Funder IDhttp://doi.org/10.13039/501100001871literaturehttp://purl.org/coar/resource_type/c_6501journal articlehttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://run.unl.pt/bitstreams/951b48fb-e6d1-42a2-91ae-8c8964444ad1/download |
| spellingShingle | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism Terenas, Gabriela Gândara SDG 16 - Peace, Justice and Strong Institutions |
| status | SINGLETON |
| subject.fl_str_mv | SDG 16 - Peace, Justice and Strong Institutions |
| title | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| title_full | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| title_fullStr | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| title_full_unstemmed | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| title_short | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| title_sort | Visual Perceptions and Written Impressions of the First World War at the Time of Portuguese Modernism |
| topic | SDG 16 - Peace, Justice and Strong Institutions |
| topic_facet | SDG 16 - Peace, Justice and Strong Institutions |
| url | http://hdl.handle.net/10362/180017 |
| visible | 1 |