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Political-Timing-Specific

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Resumo:Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls ‘political-timing-specific’ artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.
Autores principais:Marçal, Hélia Pereira
Outros Autores:Salazar, Daniela
Assunto:Memory Reenactment Museum Activism Political-timing-specific art
Ano:2022
País:Portugal
Tipo de documento:capítulo de livro
Tipo de acesso:acesso aberto
Instituição associada:Universidade Nova de Lisboa
Idioma:inglês
Origem:Repositório Institucional da UNL
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author Marçal, Hélia Pereira
author2 Salazar, Daniela
author2_role author
author_facet Marçal, Hélia Pereira
Salazar, Daniela
author_role author
contributor_name_str_mv Instituto de História Contemporânea (IHC)
Instituto de História da Arte (IHA)
Instituto de Filosofia da NOVA (IFILNOVA)
RUN
country_str PT
creators_json_txt [{\"Person.name\":\"Marçal, Hélia Pereira\"},{\"Person.name\":\"Salazar, Daniela\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Instituto de História Contemporânea (IHC)
Instituto de História da Arte (IHA)
Instituto de Filosofia da NOVA (IFILNOVA)
RUN
datacite.creators.creator.creatorName.fl_str_mv Marçal, Hélia Pereira
Salazar, Daniela
datacite.date.Accepted.fl_str_mv 2022-01-01T00:00:00Z
datacite.date.available.fl_str_mv 2022-09-27T22:07:29Z
datacite.date.embargoed.fl_str_mv 2022-09-27T22:07:29Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Memory
Reenactment
Museum
Activism
Political-timing-specific art
datacite.titles.title.fl_str_mv Political-Timing-Specific
Performance Art in the Realm of the Museum: The Potential of Reenactment as Practice of Memorialization
dc.contributor.none.fl_str_mv Instituto de História Contemporânea (IHC)
Instituto de História da Arte (IHA)
Instituto de Filosofia da NOVA (IFILNOVA)
RUN
dc.creator.none.fl_str_mv Marçal, Hélia Pereira
Salazar, Daniela
dc.date.Accepted.fl_str_mv 2022-01-01T00:00:00Z
dc.date.available.fl_str_mv 2022-09-27T22:07:29Z
dc.date.embargoed.fl_str_mv 2022-09-27T22:07:29Z
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10362/144297
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv ICI Berlin Press
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.subject.none.fl_str_mv Memory
Reenactment
Museum
Activism
Political-timing-specific art
dc.title.fl_str_mv Political-Timing-Specific
Performance Art in the Realm of the Museum: The Potential of Reenactment as Practice of Memorialization
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_3248
description Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls ‘political-timing-specific’ artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.
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funder_facet_str_mv FCT{{{_:::_}}}Fundação para a Ciência e a Tecnologia
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funding.funder.alternateName_str_mv FCT
FCT
funding.funder.identifier_str_mv http://doi.org/10.13039/501100001871
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funding.funder.name_str_mv Fundação para a Ciência e a Tecnologia
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funding.name_str_mv 6817 - DCRRNI ID
6817 - DCRRNI ID
id run_769c4dcb6f0dff682df4de32905bf4de
identifier.url.fl_str_mv http://hdl.handle.net/10362/144297
inst_facet_str urn:organizationAcronym:unl{{{_:::_}}}Universidade Nova de Lisboa
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institution Universidade Nova de Lisboa
instname_str Universidade Nova de Lisboa
language eng
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oai_identifier_str oai:run.unl.pt:10362/144297
organization_str_mv urn:organizationAcronym:unl
person_str_mv Marçal, Hélia Pereira
Salazar, Daniela
publishDate 2022
publisher.none.fl_str_mv ICI Berlin Press
repo_facet_str urn:repositoryAcronym:run{{{_:::_}}}Repositório Institucional da UNL
reponame_str Repositório Institucional da UNL
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spelling engICI Berlin PressenCan reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls ‘political-timing-specific’ artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.application/pdfenPolitical-Timing-SpecificSubtitleenPerformance Art in the Realm of the Museum: The Potential of Reenactment as Practice of MemorializationMarçal, Hélia PereiraSalazar, DanielaInstituto de História Contemporânea (IHC)Instituto de História da Arte (IHA)Instituto de Filosofia da NOVA (IFILNOVA)HostingInstitutionOrganizationalRUNe-mailmailto:run@unl.ptrun@unl.ptISBNIsPartOf978-3-96558-027-5URNIsPartOfPURE: 46769027URNIsPartOfPURE UUID: a9edc36c-b3fe-4461-8da3-76fc3b999551DOIIsPartOf10.37050/ci-21_242022-09-27T22:07:29Z20222022-01-01T00:00:00ZHandlehttp://hdl.handle.net/10362/144297http://purl.org/coar/access_right/c_abf2open accessMemoryReenactmentMuseumActivismPolitical-timing-specific art747762 bytesFundação para a Ciência e a TecnologiaInstitute of Contemporary History6817 - DCRRNI IDCrossref Funder IDhttp://doi.org/10.13039/501100001871Fundação para a Ciência e a TecnologiaInstitute of Contemporary History6817 - DCRRNI IDCrossref Funder IDhttp://doi.org/10.13039/501100001871literaturehttp://purl.org/coar/resource_type/c_3248book parthttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://run.unl.pt/bitstreams/00c22b22-ede4-44f7-b92a-aac55986de65/download
spellingShingle Political-Timing-Specific
Marçal, Hélia Pereira
Memory
Reenactment
Museum
Activism
Political-timing-specific art
status SINGLETON
subject.fl_str_mv Memory
Reenactment
Museum
Activism
Political-timing-specific art
title Political-Timing-Specific
title_full Political-Timing-Specific
title_fullStr Political-Timing-Specific
title_full_unstemmed Political-Timing-Specific
title_short Political-Timing-Specific
title_sort Political-Timing-Specific
topic Memory
Reenactment
Museum
Activism
Political-timing-specific art
topic_facet Memory
Reenactment
Museum
Activism
Political-timing-specific art
url http://hdl.handle.net/10362/144297
visible 1