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#banksyinstockholm - The politics of street art and spatiality

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Resumo:In March 2014, Swedish news agencies received an anonymous handwritten letter stating that ‘Banksy' - currently probably the world's most famous street artist - would hold his first “official unofficial exhibit in Sweden”. The validity of this press release was heavily debated throughout the week in Swedish media. Would this mythical street artist whose real name no one knows make an appearance in Stockholm? Could it be a PR stunt and if it were, would it be worth seeing anyway? On Sunday 23 March 8000 people gathered to find out. Using discourse analysis, this article explores #banksyinstockholm as an urban moment of artistic and spatial improvisation in relation to ideas on spatial subversion, paradoxical space, and aesthetic cosmopolitanism. The moment centers around three main subjectivities - the Hipster, the Doubters and ‘Banksy', which all become discursive creators/creations of the event through simultaneous presences on the Internet and on-site. The art space becomes a temporal strategy, which holds the potential of displacing and resisting the hegemonic makings of urban space. Furthermore, the exploration points to how a discursive construction of a mediated city event attaches and detaches subjects to and from specific places, performances and symbolisms and how notions of place, performance, dialogue and subjects are (re)negotiated in that process.
Autores principais:Thor,Tindra
Assunto:‘Banksy' graffiti and street art artistic interventions spatial creation cosmopolitan space
Ano:2015
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Fundação para a Ciência e Tecnologia
Idioma:inglês
Origem:SciELO Portugal
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author Thor,Tindra
author_facet Thor,Tindra
author_role author
country_str PT
creators_json_txt [{\"Person.name\":\"Thor,Tindra\"}]
datacite.creators.creator.creatorName.fl_str_mv Thor,Tindra
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv ‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
datacite.titles.title.fl_str_mv #banksyinstockholm - The politics of street art and spatiality
dc.creator.none.fl_str_mv Thor,Tindra
dc.format.none.fl_str_mv text/html
dc.identifier.none.fl_str_mv http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542015000400002
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv OberCom
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.source.none.fl_str_mv Observatorio (OBS*) v.9 n.Especial 2015
dc.subject.none.fl_str_mv ‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
dc.title.fl_str_mv #banksyinstockholm - The politics of street art and spatiality
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
description In March 2014, Swedish news agencies received an anonymous handwritten letter stating that ‘Banksy' - currently probably the world's most famous street artist - would hold his first “official unofficial exhibit in Sweden”. The validity of this press release was heavily debated throughout the week in Swedish media. Would this mythical street artist whose real name no one knows make an appearance in Stockholm? Could it be a PR stunt and if it were, would it be worth seeing anyway? On Sunday 23 March 8000 people gathered to find out. Using discourse analysis, this article explores #banksyinstockholm as an urban moment of artistic and spatial improvisation in relation to ideas on spatial subversion, paradoxical space, and aesthetic cosmopolitanism. The moment centers around three main subjectivities - the Hipster, the Doubters and ‘Banksy', which all become discursive creators/creations of the event through simultaneous presences on the Internet and on-site. The art space becomes a temporal strategy, which holds the potential of displacing and resisting the hegemonic makings of urban space. Furthermore, the exploration points to how a discursive construction of a mediated city event attaches and detaches subjects to and from specific places, performances and symbolisms and how notions of place, performance, dialogue and subjects are (re)negotiated in that process.
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institution Fundação para a Ciência e Tecnologia
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network_name_str SciELO Portugal
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person_str_mv Thor,Tindra
publishDate 2015
publisher.none.fl_str_mv OberCom
reponame_str SciELO Portugal
repository_id_str urn:repositoryAcronym:scielopt
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spelling #banksyinstockholm - The politics of street art and spatialityThor,Tindra‘Banksy'graffiti and street artartistic interventionsspatial creationcosmopolitan spaceopen accesshttp://purl.org/coar/access_right/c_abf2http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542015000400002URLhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542015000400002URLHasVersion2015-12-01In March 2014, Swedish news agencies received an anonymous handwritten letter stating that ‘Banksy' - currently probably the world's most famous street artist - would hold his first “official unofficial exhibit in Sweden”. The validity of this press release was heavily debated throughout the week in Swedish media. Would this mythical street artist whose real name no one knows make an appearance in Stockholm? Could it be a PR stunt and if it were, would it be worth seeing anyway? On Sunday 23 March 8000 people gathered to find out. Using discourse analysis, this article explores #banksyinstockholm as an urban moment of artistic and spatial improvisation in relation to ideas on spatial subversion, paradoxical space, and aesthetic cosmopolitanism. The moment centers around three main subjectivities - the Hipster, the Doubters and ‘Banksy', which all become discursive creators/creations of the event through simultaneous presences on the Internet and on-site. The art space becomes a temporal strategy, which holds the potential of displacing and resisting the hegemonic makings of urban space. Furthermore, the exploration points to how a discursive construction of a mediated city event attaches and detaches subjects to and from specific places, performances and symbolisms and how notions of place, performance, dialogue and subjects are (re)negotiated in that process.OberComObservatorio (OBS*) v.9 n.Especial 2015text/htmlengjournal articlehttp://purl.org/coar/resource_type/c_6501literature
spellingShingle #banksyinstockholm - The politics of street art and spatiality
Thor,Tindra
‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
status SINGLETON
subject.fl_str_mv ‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
title #banksyinstockholm - The politics of street art and spatiality
title_full #banksyinstockholm - The politics of street art and spatiality
title_fullStr #banksyinstockholm - The politics of street art and spatiality
title_full_unstemmed #banksyinstockholm - The politics of street art and spatiality
title_short #banksyinstockholm - The politics of street art and spatiality
title_sort #banksyinstockholm - The politics of street art and spatiality
topic ‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
topic_facet ‘Banksy'
graffiti and street art
artistic interventions
spatial creation
cosmopolitan space
url http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542015000400002
visible 1